A must for fans of Southern, that great satirist, and a revealing look into the litbiz of old.
A collection of letters from one of the 20th century’s most satirically witty writers.
It’s no surprise that Southern, the author of The Magic Christian and Candy, among other then-controversial books, should have taken an unusually thorough interest in genitalia. Among the admonitions in this entertaining gathering of letters is a note t friend and partner in crime Mason Hoffenberg that a certain young woman “is pointing your way, Mace, her loins heavy with the desire of you. She asked me what I thought her chances of getting some of your teencie.” Teencie? Well, if Keith Richards can write of a certain rock star’s “tiny todger,” the word will have to stand. Though loins and organs figure heavily in these pages, elsewhere Southern is given to business, pleading with Whoopi Goldberg here to allow him to write a vehicle for her (“When, oh when, shall such a grand showcase for your ultra-fab talents present itself again?"), there suggesting to Chuck Barris that the two of them might just cook up a game show together (“I have formats aplenty for some quite outlandish (though wholly credible) game shows, which could serve your purpose in ultra fab stead!”) Still elsewhere, Southern is more restrained, as when writing to William Saroyan and Philip Roth, though no less playful. To read through these letters, written to the likes of Allen Ginsberg, Ringo Starr, and Stanley Kubrick, is to take a wide-ranging tour of popular and literary culture during the golden age of the 1960s and ’70s. Southern begins to run out of steam after those anni mirabili, and some of the later letters have a get-off-my-lawn quality, as when he chides Phil Donahue for being nice to Rush Limbaugh. Still, to read of Southern’s demise while still hard at work is sobering—hard at work establishing a reputation beyond that of a writer’s writer, that is.
A must for fans of Southern, that great satirist, and a revealing look into the litbiz of old.Pub Date: Nov. 17, 2015
ISBN: 978-0-9838683-9-2
Page Count: 368
Publisher: ANTIBOOKCLUB
Review Posted Online: Oct. 21, 2015
Kirkus Reviews Issue: Nov. 1, 2015
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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