While well-meaning, this does little to offer any compelling alternative to the overpublished genre of Anglophone narratives...
Based on true events, a story about the powerful journey of resilience, courage, and hope of young Obulejo, striving to escape war-torn Sudan and heal from the wounds of societal prejudice.
Set during the time of the second Sudanese civil war, the story immediately throws readers into the fracas as Obulejo is roughly woken to the sound of guns. Before the first chapter ends, readers understand that Obulejo and his family are on the run for their lives, fleeing the generic enemy Rebels, a fictional proxy of Sudan’s People’s Revolutionary Army. The prospect of Obulejo’s becoming a child soldier for the Rebels looms large. No matter how dangerous and terrifying the road is ahead, he must find his way out, and that takes him through neighboring Uganda and Kenya. This account shares roots with the story of co-author Enadio, a Ma’di man who spent years in refugee camps before finding sanctuary status in Tasmania. Unfortunately, the novel takes on many of the oft-criticized tropes of narratives of African conflict. Horrendous violence is ever threatening; a benevolent, religious NGO works to help the Sudanese, mired in cycles of tribal violence, learn peaceful ways. This is in no way to discount Enadio’s lived experience, but readers introduced to the long-standing Sudanese conflict solely through this text will not find needed context and complexity.
While well-meaning, this does little to offer any compelling alternative to the overpublished genre of Anglophone narratives of African conflict written from outside the continent. (Historical fiction. 13-17)Pub Date: Nov. 1, 2017
ISBN: 978-1-76029-146-4
Page Count: 224
Publisher: Allen & Unwin
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Mouths have never run so dry at the idea of thirst.
When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.
When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.
Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-8196-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
