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THE UPTOWN KIDS

STRUGGLE AND HOPE IN THE PROJECTS

This compilation of observations, journal entries, and conversations sets out to prove that New York's City's housing projects do not deserve their reputation as ``drug-infested war zones.'' Sociologists Williams (New School; Crack House, 1992, etc.) and Kornblum (CUNY; co-author, Growing Up Poor, 1985) set up the Harlem Writer's Crew, recruiting young people who lived in low- income housing projects in Harlem—the ``'jects''—to keep journals. Meeting regularly in Williams' Harlem apartment, the young men and women—including a teenage mother, a college graduate, and a high school dropout in trouble with the law—read and discussed each other's stories and their lives. Their language ranges from poetic flights to hard-core street talk, as they voice dreams, ambitions, and the determination to escape the web of drugs and crime in the neighborhood outside their projects. Credit goes to the grandmothers, parents, project managers, and tenant organizers who fight to keep the children off the streets, to keep the stairwells clear of dealers and addicts, to maintain a secure community. Williams introduces his crew to writers like Franz Fanon, and the crew offers the reader discussions of Hip Hop and rap music, sexual rituals of the street, and sometimes moving insights into their inner lives. A poem from Sheena, the young mother, concludes: ``...believe it or not, I'm scared of life.'' The authors weave in some of the history and culture of the Harlem neighborhood that surrounds the projects. They also began to act as mentors for some of the young writers, helping them plug into educational opportunities and find jobs. As a result, proof of their thesis rests on shaky ground—are the projects really ``good places to raise children'' as a blurb has it, or are the children involved a self-selected group who would make it anywhere? Rewarding for its glimpses into the real lives and thoughts of black adolescents in the city, otherwise diffuse and unconvincing.

Pub Date: March 31, 1994

ISBN: 0-399-13887-0

Page Count: 288

Publisher: Grosset & Dunlap

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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