Revered in his homeland as a delicate observer of life in Osaka, Miyamoto has been little known in English until now....
Epistolary novel detailing the gradual enlightenment of a divorced couple, the noted Japanese author’s U.S. debut.
Aki and Yasuaki’s marriage at first seemed blessed. Not only was it a love match, he was the heir apparent to her father’s successful construction firm. But Yasuaki succumbed to his obsession with a former schoolmate and nightclub hostess. When he was found in a hotel room, survivor of a botched murder-suicide, Aki’s father insisted on a divorce. Now, ten years later, the estranged pair’s paths cross at a mountain resort where unhappily remarried Aki has taken her handicapped son. Yasuaki initiates a correspondence, and the two pour out their emotions. Since Yasuaki almost died at his lover’s hands, he’s done little except get involved in bad business ventures, take out bad loans and hide out from angry gangsters. Things begin to look up when his girlfriend, Reiko, a supermarket cashier with a savings account, enlists his help with a promising plan to sell brochures to beauty shops. When a thug shows up at Reiko’s door to collect on one of Yasuaki’s debts, she pays it off with most of her savings, indenturing but also anchoring him. Aki, meanwhile, decides to let her current husband, Katsunuma, go and concentrate on raising her son, who is showing signs of improvement. Miyamoto’s gentle touch with these well-meaning and generally honorable characters lends subtle drama to his treatise on loss.
Revered in his homeland as a delicate observer of life in Osaka, Miyamoto has been little known in English until now. Readers will want more translations, and soon.Pub Date: Oct. 31, 2005
ISBN: 0-8112-1633-0
Page Count: 224
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
BOOK REVIEW
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
IN THE NEWS
SEEN & HEARD
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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