Purplish prose and a wildly baroque ending won’t deter a devoted fan base.
Three children survive wholesale homicide, and Rizzoli and Isles (Silent Girl, 2011, etc.) have to find out how.
The Wards, the Yablonskis and the Clocks—what did they have in common, aside from being virtually wiped out in the same year? Not much, insists Detective Darren Crowe. Moreover, he’s quick to point out, only one of those decimated families merits attention from the Boston PD since the last time he looked, neither New York nor New Hampshire was in its jurisdiction. A fair point, Detective Jane Rizzoli has to acknowledge, much as she dislikes her cocky, ever overconfident colleague. And yet, maybe it’s just the fact that in all three cases a lone child is the escapee that niggles so persistently at the mother gene in Jane: two boys and a girl who—she can’t shake the feeling—might once again become targets in whatever unfathomable game seems to be afoot. Meanwhile, medical examiner Maura Isles is on her long-planned visit to Julian Perkins, the brave and resourceful teenager she’d bonded with recently under extreme, near-fatal circumstances, and to whom her attachment has been ongoing. Here, too, the mother gene is in play. The reunion site is a special school named Evensong, designed to serve as a harborage for children traumatized by violence. Tucked away in a remote corner of Maine, surrounded by woods, it’s further protected by a sophisticated security system. Not surprising, really, that Claire Ward, Will Yablonski and Teddy Clock should wind up under its beneficent wing. Nor is it surprising that someone clever, someone with malign intent, should also figure out Evensong’s attraction. Suddenly, even with Rizzoli and Isles on hand, that which made Evensong a haven is reversed into a potential trap.
Purplish prose and a wildly baroque ending won’t deter a devoted fan base.Pub Date: Aug. 28, 2012
ISBN: 978-0-345-51563-6
Page Count: 368
Publisher: Ballantine
Review Posted Online: Aug. 14, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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