A slow-burn romance showcases characters trying to become the best versions of themselves.
A playboy fisherman learns he can be more than just a pretty face.
Fox Thornton is a king crab fisherman and the resident Casanova of the small coastal town of Westport, Washington. He’s the life of the party and has convinced everyone—even himself—that he’s not capable of anything more. Imagine his surprise when he strikes up a friendship with Hannah Bellinger. They bonded over a shared love of music when her sister fell in love with his best friend, and Hannah and Fox continue their friendship via text after she returned to Los Angeles, where she works as a production assistant. Hannah doesn’t even think of Fox as a romantic possibility: He’s unbelievably handsome and effortlessly self-confident, while she often feels like a supporting actress in her own life. When the film she’s working on begins shooting on location in Westport, Hannah crashes at Fox’s apartment. It seems harmless enough—she fancies herself in love with a co-worker, and she can’t imagine Fox would ever see her as anything but a friend. Living in close quarters ratchets up the emotional intimacy and sexual tension, leaving Fox and Hannah to each question long-held assumptions about their own worthiness as romantic partners. Fox has never had anyone that values him for who he is rather than how he looks, and the major arc of the novel is his journey to accepting that he has value beyond being handsome and charming. It’s an unflinching look at how toxic masculinity harms men, for Fox must unpack the weight of cultural norms and expectations he’s been internalizing since childhood. The romance between Hannah and Fox unfolds slowly, with side plots that keep the reader entertained while the main characters do the hard work of figuring out how to be together.
A slow-burn romance showcases characters trying to become the best versions of themselves.Pub Date: March 1, 2022
ISBN: 978-0-06-304569-9
Page Count: 400
Publisher: Avon/HarperCollins
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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