A sometimes-engrossing but overlong memoir about carnival life and family bonds.
A writer performs in a traveling sideshow tour after spending three years with her mother as she endured a series of debilitating strokes.
In her debut memoir, Fontaine explores the power of the mother-daughter bond and the resiliency and marvel of the human body under duress. In October 2010, the author’s mother suffered the first of several strokes. She was left severely incapacitated and in the care of her husband, Fontaine’s stepfather. Yet in the summer of 2013, at great risk to her health, they set off together for an ambitious trip to Italy, refusing to give in to her physical limitations. On a whim, the author set off on her own adventure, signing on as a carnival performer in America’s last traveling sideshow, the World of Wonders. For the next 150 days, she tested her physical endurance and deeply ingrained fears, acquiring skills as a fire eater, snake charmer, and escape artist, among other sideshow feats, and investigating the unique culture and often grueling realities of carnival life. Fontaine is a graceful writer, and her story initially shows great promise as she seamlessly weaves together a chronicle of her often bizarre carnival experiences with poignant memories of her mother before and after her illness. But as the narrative segues into a lengthy day-to-day account of her experiences on the tour, it becomes less urgently involved with her connection to her mother and reads more like a journalistic reporting exercise. Though the author is careful to recount her dedicated immersion within this world, there’s an emotional detachment that grows more evident in her encounters with the individuals who inhabit this space. After several weeks on the tour, as the wonders begin to grow thin and somewhat repetitive, the story loses momentum. Though her tale eventually leads to a moving and satisfying conclusion, the journey is unnecessarily arduous.
A sometimes-engrossing but overlong memoir about carnival life and family bonds.Pub Date: May 1, 2018
ISBN: 978-0-374-15837-8
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 2, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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