Tales with subtle, positive, but never saccharine transformations that feel fully earned.

London Road

LINKED STORIES

In seven short stories, residents of a London boardinghouse reach moments of clarity.

On London Road, lined with scruffy shops, stands No. 17, a detached redbrick Victorian that’s been turned into a boardinghouse. Its residents tend toward hard luck and desperation: Janice is just out of prison; Mandy is on probation; Bitty has a good education but is scarred by her mother’s frequent abandonments; and Isobel is mentally unstable. Nora, the landlady, writes romance novels but has experienced little romance herself, and her daughter, Anna, is disgusted by Isobel’s outbursts. Their interconnected stories take place on a day of unusually hot weather and focus on one resident at a time, with Janice’s story told in two parts. In each, characters have a chance to make a leap of faith in other people or in the future. In “The Walls of Buckingham Palace,” for example, Nora—who adores the queen—reflects on an uneasy encounter with Len, her local pub’s new landlord, who drank too much and frightened her off: “But every night since, her sleep had been disturbed by longings she thought had long since [been] vanquished.” It takes queenlike courage for her to return to the pub, where she finds that Len is apologetic, sincere, and kind. Pointing to a framed photograph of the queen, he remarks, “You remind me of her, you do”; nothing, of course, could better gain her trust and win her over. Though spare and fast-paced, McGovern’s (Cocktails for Book Lovers, 2014, etc.) tales evoke entire biographies. She focuses on illuminative details and subtle, turning-point moments, as when Mandy, a young woman on probation, reacts to her mandatory book group’s reading of Katherine Mansfield’s 1922 short story “The Garden Party.” It stokes her resentment, as she doesn’t even know if people still give garden parties. Mandy makes plans to shoplift again, but something about the book group leader’s hopefulness and the invitation to give her honest opinion sparks her determination to win—maybe a literary argument or maybe more chocolate wafers.

Tales with subtle, positive, but never saccharine transformations that feel fully earned.

Pub Date: March 21, 2011

ISBN: N/A

Page Count: 56

Publisher: eChook Digital Publishing, LLC

Review Posted Online: Aug. 31, 2015

Kirkus Reviews Issue: Oct. 1, 2015

Did you like this book?

No Comments Yet

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 107

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

Did you like this book?

more