THE DEAD SEASON

Still recovering from her traumatic debut in Death in the Family (2020), an upstate New York cop has been suspended from duty but not from the need to probe crimes old and new.

Still having nightmares from the time she was kidnapped and caged by psychotic killer Blake Bram 14 months ago, Shana Merchant, senior investigator with the Bureau of Criminal Investigation, can’t say no when someone discovers the 20-year-old bones of her uncle Brett Skilton, whose split from his wife, Fee, was evidently more decisive than either of them foresaw. No sooner has Shana driven home to Swanton, Vermont, to comfort the parents who begged for her help and ask decidedly uncomfortable questions of her Aunt Fee and her cousin Crissy, Brett and Fee’s rebellious daughter, than she’s asked to join BCI investigator Tim Wellington in working another case on a more official basis: the abduction of 9-year-old Trey Hayes from the grounds of Boldt Castle. Unlike her inquiries into her unsavory uncle’s death, which are met by fierce push back from both Fee and Crissy, the second investigation seems altogether more straightforward until Shana realizes that the kidnapper is none other than Blake Bram and that he’s taken the boy in order to force Shana to unmask Brett Skilton’s killer for reasons she’s the only person on earth in a position to appreciate. No wonder Shana feels that “Swanton was sucking the life out of me—too much family, too many bad memories”—with more no doubt in the offing.

Professional-grade detection with a no-nonsense heroine who can be stressed out but never counted out.