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SHAKESPEARE AND THE LOST COLONY

Name: SHAKESPEARE AND THE LOST COLONY
Author: T.F. Wharton
ISBN: 9781468157178

by T.F. Wharton ‧ RELEASE DATE: July 31, 2012

One doesn’t need to be a buff of the Bard to love this well-told tale.

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Modern-day and Shakespearean-era murders align in this mystery by Shakespeare scholar Wharton.

The story opens in 1616 with Shakespeare lying upon his deathbed as a hooded and cloaked visitor approaches his bedside, leaving the reader to guess at his/her identity. The author then flashes back 22 years, when a young man and future lord, William Herbert, witnesses an experiment: an attempt by an alchemist to create the Philosopher’s Stone. It’s here that Herbert learns of the clandestine Order of the Rose Cross and the suspiciously failed endeavor by the group to colonize the New World. Among those gathered in the laboratory is Herbert’s mother, who advises him that the Order’s secrecy is imperative. Years later, Shakespeare is called on by a powerful lord to spy upon Herbert. Soon after, Herbert hears the words “rose” and “cross” in the dialogue of one of Shakespeare’s plays and assumes Shakespeare has knowledge about the secret order, as well as the lost colony. Though Shakespeare is unwitting, his interest is piqued; he soon risks life and limb to solve the mystery, and the narrative shifts into a complex whodunit. Many scenes contain sumptuous descriptions and smart dialogue. Alternating with the Shakespeare tale is an equally intriguing mystery, this one set in the present day. Charles Morgan is a divorced, disengaged composition teacher at a private college. Lionel Bunce, who is Morgan’s faculty mentor, as well as a Shakespeare expert, reveals to Morgan that he is on the brink of solving a mystery of historic proportions involving Shakespeare and “issues of state,” but he needs just one more piece to complete the puzzle. He reveals that he’s dying and makes Morgan promise that he will complete his work. But Morgan discovers that solving a centuries-old mystery is a hazardous gig; a man claiming to be a co-worker of Bunce asks for access to his writings and books. Morgan realizes that there is indeed a treasure hidden somewhere in Bunce’s dusty documents and prized books. Morgan races to unravel the mystery as he runs for his life. The ending comes to a clever full circle. With perfect pacing, the story alternates between the two engaging plotlines, and readers will find themselves turning pages at full tilt. Deliciously multifaceted, the novel is carefully constructed with a cast of unique and well-crafted characters.

One doesn’t need to be a buff of the Bard to love this well-told tale.

Pub Date: July 31, 2012

ISBN: 9781468157178

Page Count: 422

Publisher: CreateSpace

Review Posted Online: Sept. 17, 2012

Review Program: Kirkus Indie

Categories:

HISTORICAL FICTION

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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HANG THE MOON

by Jeannette Walls ‧ RELEASE DATE: March 28, 2023

A rollicking soap opera that keeps the pages turning with a surfeit of births, deaths, and surprising plot reveals.

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Historical fiction concerning the intricate battles over succession within the family that controls a poor rural county in post–World War I Virginia.

Duke Kincaid owns most of Claiborne County, both financially and politically. A charming, ruthless autocrat, feared yet beloved, he has three acknowledged children by three different wives (not to mention unacknowledged offspring). Shortly after his fourth marriage, the Duke dies unexpectedly. Although pragmatic, street-smart middle child Sallie is his intellectual and emotional heir, the Duke leaves his estate to her emotionally oversensitive half brother, Eddie, because he’s the only boy. Seventeen-year-old Sallie is devoted to Eddie, who's 13, but after he commits suicide she's torn by conflicting loyalties to her weak but lovable stepmother; her father’s scheming but able sister; and her older half sister, Mary, who's next in line to inherit the Kincaid empire but has not lived in Claiborne Country since her parents divorced. Family intrigue plays out against the backdrop of 1920s Claiborne County, where racism is a given, Prohibition is the law, and bootlegging is the main source of income for Blacks and Whites. Staunch prohibitionist Mary goes to war against the bootleggers using an enforcer who employs extreme violence. Sallie wants to support her sister but sympathizes with the bootleggers—her neighbors and tenants—and recognizes that the family's finances depend on trading whiskey. Defining what is moral becomes complicated for Sallie. So does defining family. Tough and independent, Sallie refuses to let womanhood limit her ambitions as she earns the nickname Queen of the Kincaid Rumrunners. History buffs will enjoy the many hints Walls sprinkles to show that Tudor England is her novel’s template (the Duke’s marriage to his brother’s widow; his banished daughter, Mary, and short-lived heir, Edward; the Kincaids’ counselor Cecil, etc.). Television buffs will smile at the Kincaids’ resemblance to the Roys of Succession.

A rollicking soap opera that keeps the pages turning with a surfeit of births, deaths, and surprising plot reveals.