It’s light on plot, and those grim Chopik academics are close to straw men, but so what? Ziolkowski is off to a fine start.
What to do about Seth? The self-destructive punk roils a Kansas household in this sparkling debut.
Lewis Chopik has come home to Wichita to lick his wounds. The young graduate (Columbia, summa cum laude) should be buoyant, but he’s been dumped by his girlfriend, who’s traded up to snag a Rhodes Scholar. And he’s being badgered by his father Virgil, a Columbia professor and part of a formidable clan of academics, to pursue his studies, an unwelcome prospect. All his divorced mother Abby wants is for him to be happy. However, any hope of peace and quiet back home dissolves when his 20-year-old brother Seth appears. He’s been on a downward spiral since age 14, when a morning-glory trip convinced him death was an attractive destination. Since then he’s been tentatively diagnosed as bipolar; briefly married to a stripper in San Francisco; and almost killed by fellow street punks. He fits right in at Abby’s. His indulgent mom has always provided “havens for oddballs,” while busying herself with New -Age projects and a succession of “lifetime companions.” Her latest companion is unhappily sharing her with Bishop, a genial university chemistry teacher who’s cooking up “designer psychedelics” in Abby’s basement; he’s also helping her set up her latest project: storm-chasing with a New -Age twist. There’s never a dull moment in a novel which fires us up with snappy and often very funny dialogue; Seth, deranged but smart (those Chopik genes), takes down anyone in earshot with gleeful malice. The central relationship is that between the two brothers; Lewis loves Seth dearly but is powerless to slow his descent. They will be ejected from a bowling alley and a biker bar; after Seth’s frightening rant in a graveyard, Lewis realizes he must be committed. Then the whole gang takes off after a tornado—for Seth, the perfect solution.
It’s light on plot, and those grim Chopik academics are close to straw men, but so what? Ziolkowski is off to a fine start.Pub Date: May 1, 2012
ISBN: 978-1-60945-070-0
Page Count: 256
Publisher: Europa Editions
Review Posted Online: April 20, 2012
Kirkus Reviews Issue: April 1, 2012
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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