by Thai Jones ‧ RELEASE DATE: April 24, 2012
Jones provides deep research and nicely fleshed portraits but only partial synthesis of the information.
A messy conglomeration of personalities make up this ill-focused yet engaging portrait of New York City on the verge of anarchy and war, 1914.
Chockablock with research and detail, journalist Jones’ second work (after A Radical Line: From the Labor Movement to the Weather Underground, One Family's Century of Conscience, 2004) includes everything except a clear thesis. If there is anything he is proving, it is his passion and respect for the players of that roiling, revolutionary time: anarchists like Emma Goldman and Alexander Beckman, reform-minded New York City mayor-elect John Purroy Mitchel, crusading journalists like Mother Jones and Uptown Sinclair and even the Christian idealist out of step with his plutocratic patriarch, John D. Rockefeller Jr. Jones moves chronologically throughout 1914, which opened after the relative harmony of the previous year. However, social evils in all facets of society were exposed by enlightened provocateurs like the young unemployed labor leader Frank Tannenbaum, who led fellow groups of unemployed into the city’s churches for shelter during that extremely harsh winter and was eventually arrested. Anarchists were on the march as well, supported by union protestors, often to violent effect; they taxed the resources and good will of the new mayor and his broad-minded new police commissioner, Arthur Woods. Employees at the Colorado Fuel & Iron Company, co-owned by Rockefeller but managed from a distance, went on strike, culminating in the so-called Ludlow Massacre, which prompted a sea change in Rockefeller Jr.’s antiquated views on collective organization and union rights. President Wilson struggled with turmoil in Mexico, calls for war in Europe and his own health, while a bomb probably designated for Rockefeller Jr. detonated accidentally in a Lexington Avenue apartment, killing three anarchists.
Jones provides deep research and nicely fleshed portraits but only partial synthesis of the information.Pub Date: April 24, 2012
ISBN: 978-0-8027-7933-5
Page Count: 288
Publisher: Walker
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
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by Thai Jones
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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