Though a bit of a patchwork with all the visual styles on display, this gathering of old favorites in their full, original...



Color and silhouette illustrations first seen in editions 50 to 150 years ago add an antique glaze to 27 stories newly translated from the Brothers Grimm’s final and, as the editor puts it, “most child-friendly” versions.

Not to say that there aren’t still plenty of violent and gruesome bits—from the ugly fates of Cinderella’s stepsisters to the decapitated horse in “Goose Girl.” With only rare exceptions, like the Brave Little Tailor, who swats flies that are “bugging him out of his mind,” the language in these unabridged versions remains classically formal, more grand than intimate and conveying in the lighter stories more wit than laugh-out-loud humor. The art samples work from 27 illustrators, nearly all of whom were European, and likewise presents a range of elaborately stylized Princes, graceful Maidens, anthropomorphic animals and comical magical creatures in, usually, court or period costume. Printed in double columns of small type, the collection is designed for adult readers to read or read aloud, and for the grown-ups Daniel also includes analytical introductions, an opening appreciation of the Grimms’ work as “the DNA of all fairy-tale scholarship,” and long biographical notes on the illustrators. As a piece of bookmaking, it harkens back to more extravagant times, with a gold-stamped, purple cloth cover, many gilt pages, elaborate display type and scrollwork and two bound-in silk ribbons to act as bookmarks.

Though a bit of a patchwork with all the visual styles on display, this gathering of old favorites in their full, original forms collected in a lovely package should please fairy-tale collectors and bibliophiles alike. (translator’s and historical notes, index) (Fairy tales. 7-11, adult)

Pub Date: Oct. 1, 2011

ISBN: 978-3-8365-2672-2

Page Count: 304

Publisher: Taschen

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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A scrumptious concept but overcooked.



Picture the endless variety of foods that make up the world’s menus.

Small, labeled images of various nations’ main food products, including grains, meats, fruits, fish, vegetables, and dairy products, are scattered over 41 country maps and nearby bodies of water. Due to lack of room or perhaps poor design, popular dishes are placed outside the country’s borders, often within the landmass of an adjoining or nearby country, providing very perplexing impressions. For example, the page for Argentina shows the food products (Pampas cattle, sweet potatoes, wheat, etc.) within the Argentine border and the popular dishes (such as the dessert dulce de leche and the “national dish” of asado, “flame-grilled meat”) outside the national border. The inclusion of nonfood marine animals such as whales and dolphins is both unfortunate and confusing. The book is organized by region, and several individual countries are featured in each section. European countries predominate in this Italian import. Minimal coverage is given to the African continent, but unusually, Madagascar is included. The book could be a visual feast, but due to the sheer amount of poorly presented graphic information, it ends up a jumble. The notions of “slow food and slow fish presidiums” are inadequately explained. There is no index and no references, highly inappropriate for this informational text. Readers can browse but cannot easily find information that they may want to revisit.

A scrumptious concept but overcooked. (Nonfiction. 8-11)

Pub Date: Oct. 1, 2017

ISBN: 978-1-77085-952-4

Page Count: 72

Publisher: Firefly

Review Posted Online: Aug. 27, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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One of those rare thrillers whose answers are even more scarifying than its mysteries.


A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Though this has more of a religious bent than most biographies, children should gain an understanding of the new pope as a...



Beginning with the emigration of Jorge’s grandparents from Italy to Argentina, this biography traces Bergoglio’s life, concluding with his attendance at World Youth Day in July 2013, as Pope Francis.

This is a much more personal biography (meant for a slightly younger audience) than Pope Francis by Stephanie Watson (2013). Only briefly mentioning Argentina’s “Dirty War” and entirely leaving out the scandals of the Catholic Church and the more publicized examples of Bergoglio’s humility, Monge and Wolfe focus instead on the experiences that shaped Bergoglio’s faith and led him to the priesthood. The text’s lack of a bibliography may lead readers (or their parents) to wonder how the more intimate details of Bergoglio’s life were uncovered, especially with regard to the rather stilted and unnatural-sounding dialogue and internal monologues. Simple, short sentences make this accessible for young readers, though more contextual definitions (or a glossary) would have been helpful, especially for those unfamiliar with the Catholic faith. Also, commas that could help young readers with comprehension are frequently missing, and there are some awkward sentence constructions: “There was always studying or homework to do for school, or help needed around the house.” Kizlauskas’ illustrations are quite realistic looking (if stiff), though they do not always appear on the same spread as the text that accompanies them.

Though this has more of a religious bent than most biographies, children should gain an understanding of the new pope as a person. (Biography. 7-10)

Pub Date: Oct. 1, 2013

ISBN: 978-0-8198-4006-6

Page Count: 64

Publisher: Pauline Books

Review Posted Online: Sept. 14, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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