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PIED PIPER OF HAMELIN

This lovely and penetratingly creepy version of the familiar tale will linger long with readers.

This strange and unsettling tale is made all the stranger and more unsettling by Zwerger’s spare, isolated figures in their pale interiors and landscapes, not to mention the rats that populate many of the versos until they are dispatched.

The Grimms provide a precise date, June 26, 1284, for the tale, as the reteller Raecke notes in her afterword. It unfurls with chilling specificity. Rats have overrun the town of Hamelin, and the townspeople promise much gold to the stranger with the parti-colored coat if he will rid the town of them. He does, by playing “a tune that had never been heard before,” which sends all the rats to the river Weser. But the townspeople renege on their promise, and the piper comes back dressed like a hunter and plays another unknown tune—and all the Hamelin children who can walk follow him and disappear, and the piper with them. Zwerger’s haunting images and the mystery of the story itself make for a powerful telling. What does it mean and with whom will it resonate? Older children might be captivated by the idea of following a stranger’s music (and the importance of keeping your word); younger children might be intrigued by the rats and their departure.

This lovely and penetratingly creepy version of the familiar tale will linger long with readers. (Picture book/fairy tale. 5-9)

Pub Date: Sept. 1, 2014

ISBN: 978-988-8240-82-1

Page Count: 32

Publisher: minedition

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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HORTON AND THE KWUGGERBUG AND MORE LOST STORIES

Fans both young and formerly young will be pleased—100 percent.

Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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