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THE DEAD MAN'S MIND

Overlong and unengaging.

After joining with a man who can kill with his mind, a 13-year-old telepathic girl learns many secrets in this paranormal novel.

In an unknown coastal town, locals grow up with the legend of notorious murderer Lord Talson, known for his bright yellow eyes, his ability to kill with his mind alone, and his cruelty. He’s based in a massive offshore building that’s “the headquarters of a very powerful and secret society of organized crime” called the Silver Shadows, which keeps tabs on the Thomason family, especially their daughter, Katerina Alicia. At 13, Kat is troubled by dreams of yellow eyes and people screaming in pain. Her father explains that when she was a baby, Lord Talson attacked them both but failed to kill them for unknown reasons and has been lying low ever since. Nevertheless, when Kat receives an invitation to visit him, she accepts. Talson explains that not only doesn’t he want to murder her, he’d like to teach her about her power to connect with and influence another’s thoughts. He also offers her a position among the Silver Shadows. Powerfully curious, Kat joins them, setting her at odds with her father. As Kat learns more about her abilities, repercussions emerge from years-ago events in the Sharktooth Bar, a fishermen’s haunt where a Silver Shadow was killed and another imprisoned for illegal gambling; related to this, Kat’s best friend’s father was killed by Talson. Slowly, more truths emerge about Talson’s and the Silver Shadows’ origins as well as the complicated nature of Talson’s powers, building to a dangerous confrontation in which Kat will have to make some difficult choices affecting many others. In her foreword, debut author Torgersen explains that she began this novel at 16 “with no research, no plan, and no idea of where my plot was headed,” finishing when she was 20. Not unexpectedly, the book betrays the writer’s inexperience and lack of control. It’s often repetitious and clumsy; for example, “ ‘What happened?’ asked Kat, wondering what other strange things might have happened.” There’s an ongoing and unfruitful obsession with how old characters seem to be: Remi Nelson “was thirty-five, but looked forty-five, at best”; John Carl “was thirty-three [but] looked older”; though Kat “thought Talson was much older than thirty-nine…now she thought he looked younger,” and so on. The crime organization is dramatic but not well thought out. For example, Talson’s ability to pay his followers depended on a now-gone gambling operation, so how does he now stay afloat? And why should payment depend on that since Talson can so successfully manipulate minds? Talson’s pronouncements often fail to ring true, such as “anger, pain, and killing” being “the three most complicated things in human existence.” The book’s ideas about mind control are complex but uninteresting and fruitless to remember because Talson lies, changing the rules. In better moments, the book achieves a poignant tone of magical realism, especially in scenes from Talson’s childhood.

Overlong and unengaging.

Pub Date: April 9, 2013

ISBN: 978-1-4836-1096-2

Page Count: 392

Publisher: Xlibris

Review Posted Online: June 7, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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