Few would argue that Mary Shelley failed to produce a pop- culture classic when she penned Frankenstein. Roszak (The Voice of the Earth, 1992, etc.), by contrast, has done the impossible: He's taken Shelley's unsettling allegory of human arrogance and, sad to say, made it a marathon bore. Seizing on Shelley's radical lineage (as the daughter of protofeminist Mary Wollstonecraft), Roszak attempts to rewrite the Frankenstein tale from the perspective of Elizabeth, Victor Frankenstein's adoptive sister and fiancÇe. The author's conceit is ponderous: Polar explorer Robert Walton, Victor's raconteur in Shelley's original, continues his involvement with the Frankensteins' bizarre lives well after Victor's death by editing Elizabeth's memoirs. Walton goes way back, to Elizabeth's rescue from a squalid gypsy camp by the Baron Frankenstein and his wife, Lady Caroline. Spirited away to a grand Swiss estate, Elizabeth meets her new brother, Victor, and develops an immediate attraction. It isn't long before Lady Caroline, a big Rousseau fan, begins to encourage Elizabeth to embrace nature and scorn reason. This should be a problem for the Baron, whose education of Victor endorses Voltaire, science, and Natural Law, but he lets it slide. While Victor is busy killing butterflies and wandering the mountains like a little Nietzsche, Elizabeth is initiated into Caroline's coven of witches, whose members have devoted themselves to the ancient rituals of alchemy. Eventually, both children fall under the daft instruction of Seraphina, a wizened hag who mixes Elizabeth's menstrual blood with Victor's ejaculate in an effort to establish a Platonic oneness for the two. Sounding like a combination of Anne Rice and Camille Paglia (earth-mother bacchantes cavort beneath the moon while Seraphina guides Elizabeth and Victor through Eastern sex techniques), Roszak finally gets around to introducing the monster—on page 373! Even Mel Brooks couldn't save this one. (Author tour)
Pub Date: April 25, 1995
ISBN: 0-679-43732-0
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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