Repeatedly, in this scholarly survey of cultural history, Roszak (History/California State Univ.; Flicker, 1991, etc.) evokes a back-to-nature philosophy, contrasting the rational philosophy of the Enlightenment with the romanticism of the noble savage; prehistoric animism and earth-mother religion with the rise of patriarchy and male-dominated, nature-dominating religion. All this by way of elaborating what he sees as the only salvation of the ecological crisis: a new ``ecopsychology.'' The new school celebrates the individual, seen in harmonious interrelationships with the family, society, Mother Earth, and, ultimately, the cosmos. Ecopsychology is informed by various post- Freudian schools: some Jung (collective unconscious), and something of Reich, Maslow, Gestalt psychology, and various California-style movements—in general, those schools that look upon the unconscious as the well-spring of creativity. ``The core of the mind is the ecological unconscious,'' Roszak says, containing ``the living record of cosmic evolution, tracing back to distant initial conditions in the history of time.'' Yes, time's arrow and the evolution of the cosmos figure large in Roszak's philosophy. Taking the Big Bang as a given, and borrowing arguments from systems theory, the Gaia hypothesis, and the anthropic principle, he sees the emergence of humanity as inevitable in the grand scheme of things. It follows, then, that we must get back on track with Mother Earth. How to do this finds Roszak lamenting urban- industrial society. Cities are bad. Deep ecology is good. The restorative work must begin in childhood, and must involve a breaking away from macho ideas and the invoking of some concepts of ecofeminism. Roszak turns a fine sentence and knows his history (if not his science), but his idealism pays no mind to the population problem, poverty, disease, or rising racial-ethnic conflicts; and it dismisses the cultural largesse of cities and pays scant homage to what science and technology might do. In short, there seems to be more wish than reality here.
Pub Date: June 30, 1992
ISBN: 0-671-72968-3
Page Count: 420
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
Exemplary writing about the world and a welcome gift to readers.
Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.
“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”
Exemplary writing about the world and a welcome gift to readers.Pub Date: March 20, 2019
ISBN: 978-0-394-58582-6
Page Count: 592
Publisher: Knopf
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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