A compelling portrait wrapped inside a less compelling international plot.
The third book from Wheeler (Kings of Broken Things, 2017, etc.) has the form of a post–9/11 thriller, but it's really a psychological novel: What are the mysteries that surveillance can't lay bare, that sleuthing can't solve or pin down?
It's 2008. Tyler Ahls, a former ROTC cadet and Christian missionary from Wisconsin who disappeared months earlier on the border between Pakistan and Afghanistan, appears in a terrorist propaganda video, startling his sister, Elisabeth Holland, an Omaha nurse. Elisabeth is no stranger to tragedy; three years earlier, her husband abruptly drove away from their Chicago apartment, disappearing without a trace; soon after, their infant son died suddenly. Now, after the propaganda video, FBI Special Agent Frank Schwaller—who, thanks to a Foreign Intelligence Surveillance Act warrant and a resulting mass of surveillance data, knows much, much more than Elisabeth does about both brother and husband—comes to Omaha to see if he can unravel the knot of connections between and among these three. The novel's strength is in its portrait of the stoic, tough, but uncynical Elisabeth. Her coping mechanism through all the trials of her life—overbearing and hyperreligious evangelical Christian parents, a private-college experience curtailed by an injury that took away her athletic scholarship, runaway husband, the shocking death of her child—has been to move briskly along and then shelter in place, not delving too deeply into her own motives or anyone else's. It's not that she's incurious; it's that she knows that investigating the whereabouts or motives of those who've left her will avail her nothing. That attitude makes her a subject of fascination for Schwaller. Other elements of the book don't quite coalesce, and sometimes details, especially those about federal law enforcement and surveillance, don't quite ring true, but Elisabeth fascinates.
A compelling portrait wrapped inside a less compelling international plot.Pub Date: March 3, 2020
ISBN: 978-1-5420-1651-3
Page Count: 292
Publisher: Little A
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
IN THE NEWS
SEEN & HEARD
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
PERSPECTIVES
IN THE NEWS
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