An unsettling and insightful piece of historical fiction.
A detailed, dark novel about the complicated social dynamics in Omaha during the “Red Summer.”
Set during the end of World War I (1917-1919), this book captures the turmoil and terror of the era: soldiers returning broken, criminals running cities from the underground, poverty and prostitution rampant, lynch mobs fueled by racism and illegal liquor desperate to blame someone. It centers around three interconnected characters: Karel Miihlstein, an 11-year-old immigrant from Salzburg who lives with his father and three sisters, one of whom is very sickly; Jake Strauss, a 20-year-old lodger at the Miihlsteins’ who fled his hometown of Jackson County after he beat a man with a pick handle; and Evie Chambers, a kept woman who is passing for white and with whom Jake falls in love. Karel becomes obsessed with baseball and falls in with some delinquents. Jake, too, joins a rough crowd after coincidentally killing a man wanted by the mob boss, named Tom Dennison. He is indoctrinated into the group of “hard-drinking, chain-smoking, whore-mongering men who’d landed where they belonged.” These men, who make up “the machine” of political corruption and criminality, control the city. Wheeler (Bad Faith, 2016, etc.) paints a vivid and dynamic portrait of Omaha during this strained and sad era. Underlying the novel is a taut racial division, illustrated by the yearly interrace baseball game and culminating in a false accusation which incites a sickeningly vicious lynch mob. For its descriptions of the violent outcomes of prejudice and political misconduct, this novel at once illuminates a savage moment in history and offers a timely comment on nationalism and racism.
An unsettling and insightful piece of historical fiction.Pub Date: Aug. 1, 2017
ISBN: 978-1-5039-4147-2
Page Count: 336
Publisher: Little A
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
IN THE NEWS
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
