A genuinely beautiful collection that begs to be read aloud—or told—again and again.

AN ILLUSTRATED TREASURY OF SCOTTISH FOLK AND FAIRY TALES

Some familiar tales and some that are less so make up this elegantly designed and produced collection with Scottish roots and branches.

The volume sits nice and flat when opened, the type is large and clear, and the soft, evocative pictures range from full double-page spreads to tiny, exquisite images around the page numbers (a tuft of grass, a sprig of berries and a turnip, among other designs). Each of the 11 stories opens with a page of muted color on the left on which some lines from the coming tale are inscribed in a paler version of the hue. On the right, the name of the tale and a brief description of its source are framed in an image that carries and echoes through the pages. “The Wee Bannock” recalls “The Gingerbread Man,” and “Whuppity Stourie” brings to mind “Rumpelstiltskin,” but the rhythms and much of the detail reflect their Scottish sources. There’s a lovely, brief story from Sir Walter Scott, “The Goshawk and the Brave Lady,” that touches on the enmity between England and Scotland and in which the heroine rescues herself for her own true love. Breslin supplies a selkie story. Most of the Scots words are clear in context, but there is a strikingly informative glossary as well.

A genuinely beautiful collection that begs to be read aloud—or told—again and again. (Folk tales. 7-12)

Pub Date: Nov. 1, 2012

ISBN: 978-0-8631-5907-7

Page Count: 158

Publisher: Floris

Review Posted Online: Sept. 26, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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A handy and helpful guide for any aspiring web user.

HOW TO BE A BLOGGER AND VLOGGER IN 10 EASY LESSONS

LEARN HOW TO CREATE YOUR OWN BLOG, VLOG, OR PODCAST AND GET IT OUT IN THE BLOGOSPHERE!

From the Super Skills series

Some popular forms of online self-expression get the how-to treatment.

This brisk read provides 10 lessons for those interested in bringing their voices to the internet, covering blogs, vlogs, podcasts, and everything that goes with them. The book expands upon these lessons in each chapter. For example, the “Record Your Podcast” chapter not only covers basic podcasting formats, but highlights the anatomy of a podcast, how long shows should be, theme-music development, and more. The instruction is nicely digestible for the target audience of enterprising preteens. (Their grandparents might also pick up wisdom here.) The book also features a section dedicated to internet safety, one all kids should read regardless of their online ambitions. The graphics and charts are serviceable, featuring racially diverse children and dutifully breaking up the chunks of text in a format that’s easy on the eyes. A chapter focused on developing audience is especially helpful to those looking to get their voices heard. But above all, the book positions online expression as equal to any other form of artistic expression: maintaining a web series is just as valid as photography or painting in the eyes of the book’s audience, and the author treats the subject as such without trying to talk down to readers or exaggerate. The lessons are taught in the best kind of way: the way that will get kids to listen.

A handy and helpful guide for any aspiring web user. (Nonfiction. 9-12)

Pub Date: July 1, 2016

ISBN: 978-1-63322-105-5

Page Count: 64

Publisher: Walter Foster Jr.

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: June 1, 2016

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Still, there is a bedrock of toponymic glory here, certainly enough to make some readers fall in love with geography.

FROM PIE TOWN TO YUM YUM

WEIRD AND WACKY PLACE NAMES ACROSS THE UNITED STATES

You don’t have to be a geographer (or a toponymist, to get really specific) to take pleasure in odd place names, and there are far too few gazetteers out there for a new one to come amiss.

Herman’s contribution, then, is welcome, despite its weaknesses. First the strengths: Herman proceeds alphabetically by state, focusing on one curious place name and providing an explanation of its origin (or multiple possible explanations). Another dozen or so humorous place names are noted (with a few given very brief expository treatment), and a number of unusual state facts are delivered. Well and good, but this material, which can easily stand on its own, is bedeviled by a near-desperate striving for laughs. Not content to let the strange place names pull their comic weight, Herman douses them with corniness and puns and running jokes and enough exclamation marks to curl a Monkey’s Eyebrow (that’s in Kentucky). Another weakness is the artwork. Maps are a hotbed for artistic expression, but—except for the cover, which allows for color—Goldman’s maps feel anemic (the place names under discussion are not located on her state maps), scratchy and overly whimsical, with accompanying line drawings that are arbitrary or in anxiously eccentric pursuit of yet more mirth.

Still, there is a bedrock of toponymic glory here, certainly enough to make some readers fall in love with geography. (Nonfiction. 8-12)

Pub Date: Sept. 1, 2011

ISBN: 978-1-935279-79-2

Page Count: 120

Publisher: Kane Miller

Review Posted Online: July 27, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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