A satisfying crime read with a memorable heroine.
Brown (The Social Sex, 2015, etc.) offers a thrilling crime novel about a real estate agent trying to sell an inn that’s surrounded by conflict, intrigue, and murder.
Sara McGrath is a divorced mother of a 16-year-old daughter and struggling as a real estate agent. She’s about to get her big break from the sale of the titular hotel at Punta de Sangre (on the San Mateo County, California, coast) to the exuberant, wealthy Randi Wight. Brown wastes no time diving into the crime that drives this story: it opens on Sara traipsing along the beach, collecting seaweed, when she comes upon the washed-up, mangled body of a young man. He turns out to be the son of Lt. Mike Mitchell, a police officer to whom Sara is attracted, and who reappears during moments when she needs him. However, the deaths don’t stop there. Soon, Sherwood Brooks, a researcher who gives Sara tips on properties, winds up dead on the train tracks. It looks like a suicide, but upon further inspection, it turns out that Brooks was strangled. The story gets even more complicated when a developer shows interest in the land. Sara’s good friend Faye, meanwhile, is an active, vocal member of Coastal Open Space Trust, an organization aimed at preserving area wildlife. COST, it turns out, is strangely connected to the inn, and quickly comes under threat. Someone wants Sara and her friends to stay away—but who? Brown not only develops several engaging characters and a riveting plotline, she also shows expertise at describing settings. The vivid geography of the coast (with its “frothy surf, stark white against the gray ocean”) transports readers into Brown’s richly imagined world. The protagonist, Sara, is complex, flawed, and genuine, and readers will hope that Brown will revisit the character in future novels. Several other players also become entangled in this tale—including a competing real estate agent; the current owner of the inn and his cancer-stricken wife; and Sara’s arrogant ex-husband—and all have back stories worth uncovering.
A satisfying crime read with a memorable heroine.Pub Date: May 8, 2015
ISBN: N/A
Page Count: 275
Publisher: Amazon Digital Services
Review Posted Online: Aug. 27, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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