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SCORING WITH SANTA

From the The Second Chance Series series , Vol. 1

Awards & Accolades

Our Verdict

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Roemer (Naked in 30 Days, 2016, etc.) and Rose (His Human Slave, 2016, etc.) deliver an erotic romance that features a battle of the sexes between a fitness club owner and a football legend. A romance novel is only as good as its heroine, and recent divorcée Brandy Love doesn’t disappoint. She’s the smart, capable owner of Phenomenal Physiques, a health club whose demands led to the demise of her marriage. Between work, her kids, Sam and Claire, and her tense relationship with her ex-husband, Justin, she has no room for a love life. That is, until beloved high school football coach Rick Morehouse shows up at the gym to assist with some physical therapy for one of his star players and Brandy invites him to dress as Santa Claus for an upcoming charity event. The former Houston Texans quarterback, according to the narration, “had [Brandy’s] panties dampening just from being in sniffing distance,” but she’s determined not to be sucked in by his charm—until a late-night rendezvous in the men’s room leaves them both begging for more. There’s a catch, though: due to Rick’s single-parent upbringing, he has a strict rule against dating single mothers. Set in Houston, the novel has a definite Friday Night Lights vibe, depicting a world where football reigns; for example, Brandy and Justin are at odds about Sam’s desire to play on the high school football team, Rick is the subject of many a local sports column, and a playoff game serves as the book’s climax. The conservative setting also allows the characters to challenge traditional values. The sex scenes are as spicy as a bottle of Texas Pete hot sauce; Brandy’s agency is always respected, and she gives just as good as she gets. Outside of the bedroom (or weight room or whatever the case may be), Brandy muses on the meaning of being a woman, wife, and mother. Indeed, for a romance novel, it addresses nonromantic matters in some detail, as in a plotline involving Brandy’s friend Meg navigating a career change. On the whole, the book benefits from the dual authorship of first-time novelist Roemer and romance veteran Rose. It’s well-crafted and polished, speaking to Rose’s experience, while also offering Roemer’s fresh voice and point of view. A sexy tale for modern women that’s as steamy as a locker room shower.

Pub Date: Dec. 20, 2016

ISBN: 978-1-62601-325-4

Page Count: 218

Publisher: Riverdale Avenue Books, LLC

Review Posted Online: Jan. 14, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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