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THE FORESTWIFE

The traditional image of the maid Marian takes on a faintly pre-Christian cast in this tale of a teenager who flees into the woods to avoid a forced marriage. Robin Hood and his men play relatively minor roles here. Young Mary and her canny nurse Agnes brave a purportedly haunted forest to reach the solitary hut of the witchlike Forestwife, Selina, only to find her dead. Agnes assumes the role, with Mary, now known as Marian the Green Lady, helping; they heal the sick, deliver babies, feed the hungry, and rescue those ill-treated by the local authorities. Agnes' rough, ne'er-do-well son Robin—er, Robert appears now and then, either wounded in fights or bringing food and news. The evil deeds of lords and officials are bruited about, but the malefactors themselves remain offstage; Tomlinson focuses on the afflicted common folk, ground down by misfortune and injustice. When Robert is hurt once again, Marian leaves the forest to nurse him; upon her return she finds Agnes dead, the Forestwife's girdle and burden left to her. Though the cast is confusingly large, the author fills it with capable women, and a gory but memorable scene in which Marian kills a deer is the story's only overt violence. Not as vivid as Robin McKinley's Outlaws of Sherwood (Greenwillow, 1986), this nonetheless puts an intriguing, female- centered twist on the legend. (Fiction. 11-15)*justify no*

Pub Date: April 1, 1995

ISBN: 0-531-09450-2

Page Count: 170

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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JOEY PIGZA SWALLOWED THE KEY

From the Joey Pigza series , Vol. 1

If Rotten Ralph were a boy instead of a cat, he might be Joey, the hyperactive hero of Gantos's new book, except that Joey is never bad on purpose. In the first-person narration, it quickly becomes clear that he can't help himself; he's so wound up that he not only practically bounces off walls, he literally swallows his house key (which he wears on a string around his neck and which he pull back up, complete with souvenirs of the food he just ate). Gantos's straightforward view of what it's like to be Joey is so honest it hurts. Joey has been abandoned by his alcoholic father and, for a time, by his mother (who also drinks); his grandmother, just as hyperactive as he is, abuses Joey while he's in her care. One mishap after another leads Joey first from his regular classroom to special education classes and then to a special education school. With medication, counseling, and positive reinforcement, Joey calms down. Despite a lighthearted title and jacket painting, the story is simultaneously comic and horrific; Gantos takes readers right inside a human whirlwind where the ride is bumpy and often frightening, especially for Joey. But a river of compassion for the characters runs through the pages, not only for Joey but for his overextended mom and his usually patient, always worried (if only for their safety) teachers. Mature readers will find this harsh tale softened by unusual empathy and leavened by genuinely funny events. (Fiction. 11-13)

Pub Date: Oct. 1, 1998

ISBN: 0-374-33664-4

Page Count: 154

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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DANIEL'S STORY

After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)

Pub Date: April 1, 1993

ISBN: 0-590-46920-7

Page Count: 128

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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