In this arch and oddly phrased allegory, a child joins other neighborhood children slipping through gaps in a hedge around the yard of a mysterious old house ``to do what they do, do, do''—in his case fix plants, by repotting them. He forgets about the house as he grows, until years later, a weary old man, he takes a hand held out to him through the hedge and finds himself a child again. In Chambers's drawings he is accompanied by a bouncy dog (which he ignores, and ultimately abandons) and a small wagon, full of planting supplies when he's young and bags of money later. In the end, remembering a companion of his youth, he leaves that idyllic place—ostensibly momentarily—to fetch her. Since the symbolism isn't exactly clear or compelling, children may identify more with the dog, always an outsider looking in, than the boy. (Picture book. 7-9)
Pub Date: Feb. 1, 1998
ISBN: 0-310-20792-4
Page Count: 48
Publisher: Zondervan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
Eeney meeney miney moe, catch this series before it goes! (Adventure. 7-9)
Two kids get up close and personal with some great works of art in this first in a new series.
Tiger Brooks is used to his little sister’s fantastical stories. So when the top-hatted orange pig she describes turns out to be not only real, but a next-door neighbor, Tiger enlists the help of his kooky new friend, Luna, to investigate. It turns out the pig works for the reclusive painter Viola Dots. Years ago a magical picture frame swallowed up her only son, and she’s searched for him in artworks ever since. When Tiger’s tinkering starts the magic up again, he and Luna are sucked into a reproduction of Henri Rousseau’s Surprised! or Tiger in a Tropical Storm, hungry predator and all. After meeting and failing to rescue Viola’s son in this adventure, the series is set up for the intrepid pair to infiltrate other classic paintings in the future. Backmatter provides information on the real Rousseau and his life. Oliver keeps the plot itself snappy and peppy. While there are few surprises, there’s also an impressive lack of lag time. This is helped in no small part by Kallis’ art, which goes from pen-and-ink drawings to full-blown color images once the kids cross over into the painting. Tiger is a white boy, and Luna is a dark-haired Latina.
Eeney meeney miney moe, catch this series before it goes! (Adventure. 7-9)Pub Date: April 26, 2016
ISBN: 978-0-448-48087-9
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Deliberately constructed, Wilson’s wordless picture book makes an adroit and whimsical artistic statement and invites audience participation. On the title page, a child’s hands reach toward a bundle of colored pencils dangling from a branch; the pencils are in bright colors but everything else is sketched in black and white. In careful detail, the child draws a magpie seen on a branch outside the window (perhaps the same branch where the pencils were hung) and when the drawing is completed, the bird flies away from the paper. The child draws cherries, shimmering red on the page, and the bird eats them; the child draws an orange balloon, which the bird pops. Things get a little dangerous when the bird grabs a piece of yellow that sets the page afire and then scribbles blue water that makes a mess. Drawings and events co-determine each other: the child has cages the magpie, the bird grabs the eraser through the bars and escapes the cage, and so it goes, to a last laugh when a claw seizes the pencils and makes a brilliant rainbow of feathers. The only words are the names of the colors, appearing at the end. The realistic drawing style and the use of saturated color on an otherwise black-and-white page are an arresting combination. (Picture book. 3-7)
Pub Date: March 1, 1999
ISBN: 0-8037-2354-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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