Predictably uneven, but with some pleasant surprises.
We’ve already turned Dickinson into a fetish—one more book couldn’t hurt. Fortunately, and to the editors’ credit, numerous poems assembled here are quite good. Some, such as Andrea Paterson’s, are wickedly funny: “Because I could not Dump the Trash— / Joe kindly stopped for Me— . . . / When heir to smelly Legacies, / What sort of Woman—Spoils?” Marilyn Nelson deadpans, “All the flies / just stood around / and buzzed / when she died.” Jayne Relaford Brown submits #754 (“My life had stood—a loaded gun —”) to the indignity of the workshop rack (“We need to see the poet’s ‘Master.’ Who is he?”) and Robert Peters’s ode to barnyard fornication is nearly as ribald as Auden’s “A Day for a Lay.” Exemplary and varied pieces come also from Amy Clampitt, Maureen Owen, and Barton Levi St. Armand. One of the obvious drawbacks to such an undertaking is that multiple poets exploit the same minutiae of the poor woman’s life. Her fashion sense is a recurring theme—the white dress alone appears in nearly 20 poems. (Andrea Carlisle devises a droll to-do list: “Monday / Figure out what to wear—white dress?”) A few kick around her bread-baking and her epitaph; even more recount visits to her home in Amherst, suggesting a literary Graceland rendered by Edward Gorey—all those earnest bards clutching their notebooks, traipsing in and out of her room! Cloying sincerity and navel-gazing spoil too many of the selections (on which Gary Smith shrewdly notes, “We like to own the poets we keep—”), but none are as breathtakingly self-indulgent as those of Sharon Olds, Toi Derricotte, and Robert Francis.
Predictably uneven, but with some pleasant surprises.Pub Date: Dec. 10, 2000
ISBN: 0-87745-734-4
Page Count: 156
Publisher: Univ. of Iowa
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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