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BLUE VALENTINE

An entertaining, psychologically observant thriller.

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Armed with a straight razor, rage, and her wits, a young woman confronts underhanded forces in this debut neonoir novel.

In her small Pacific Northwest community, Nicki Valentine is a tough-talking young woman with a 12th-grade education who lives in the shabby part of town. After her 40-hour, six-day week at the bakery, Nicki likes to go out drinking on Saturday night. As the book opens, she heads with her half brother and best friend, Quinn Halliday, for a classy joint where each hopes to get lucky: “East Towners are more than willing to take out the trash every once and awhile.” Nicki drinks with a likely prospect, whose friend suggests “a little private after-hours” at a house in a swanky neighborhood. Although the whole situation sets off alarm bells, Nicki thinks she can handle it: “Experience and the straight razor I’m slipping from my boot to my pocket say so.” But when they all arrive at the house, Nicki senses she’s being set up—and is sure of it when she realizes it’s Jonathan Garver’s place. The sight of him makes her hands go weak, for reasons related to Nicki’s past, and although Jonathan claims he just wants a quick chat, she plots and makes her escape. She has had a bad reputation since high school; even today, the chant “Go, Nicki!” can get to her, despite her seemingly hard exterior. Something bad happened when she was 14 years old, and Jonathan was a part of it, along with Ted Wells and Bobby James Sounder—who just happens to be running for mayor this year. What’s going on? Though Quinn has her back, no one else does, and the past is coming back to haunt Nicki in dangerous ways. If she handles things right, maybe this time she’ll come out ahead. In his novel, Cummings skillfully develops Nicki’s character. At first, she seems to be all self-assurance, aware of her low social status yet above her circumstances (she’s a reader and obviously intelligent). As the story progresses, the author peels back layer after layer in well-written, psychologically believable, and revealing scenes that expose Nicki’s true vulnerability. Beginning in childhood, she was isolated from warmth. Today, though she can get sex partners easily, she’s never had a boyfriend and she has no girlfriends to chat with. The central episode, when Nicki was 14, is told in the kind of detail that allows readers to see just how helpless such a girl is, how much her surface precociousness should have been protected instead of manipulated. Also well-developed is the depth of Nicki’s relationship with Quinn, which becomes fully apparent over the course of the tale. The prose is sharp, observant, and scathingly honest. Though Nicki gets a chance to confront Jonathan, there is no moment when he realizes the harm he’s done: “I smack blame at him, he smacks blameless back.” A satisfying, believable ending ties all the threads together.

An entertaining, psychologically observant thriller.

Pub Date: Aug. 16, 2018

ISBN: 978-1-7327273-0-4

Page Count: 227

Publisher: Xenocentric Press

Review Posted Online: Dec. 21, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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