A dark yet hopeful tale of personal salvation laid low by inadequate editing.
Duffy (One Love, 2014) offers a fusion of crime fiction, romance, and existential philosophy in this novel about a troubled young woman.
The storyline follows 19-year-old Amber Robertson from Maryland to New York City, where she hopes to put her promiscuous past behind her and begin a new life. But, burdened by financial hardship, she soon turns to prostitution to pay the bills. This decision leads to a series of events that will irrevocably change her life: she’s arrested for shoplifting, then charged with prostitution, and later drugged and abducted by one of her johns—a former restaurant manager from New Jersey named Miguel. When she regains consciousness, she finds that he’s handcuffed her to a bed. He tells her that he’ll still pay her for sex but that she’s essentially his prisoner until she learns some invaluable life lessons. Amber is forced to use her wits to survive long enough to either escape or convince her emotionally unstable captor to release her. When she’s finally free again and dating a passionate yet enigmatic movie theater manager named Jeffrey, Miguel’s twisted advice begin seeping back into her subconscious, and she starts to see her boyfriend in a different, and darker, light. This novel’s redemptive exploration of love and loneliness is simultaneously disturbing and thought-provoking. The storyline is conceptually and thematically intriguing—particularly in its exploration of the inner thoughts of its damaged characters. The novel falls short of its potential, though, due to sloppy writing, including numerous grammatical errors and stilted dialogue (“I am addicted, you see, to you. I cannot overcome this addiction”). There are also no page breaks between point-of-view shifts, which makes the novel seem jumbled together.
A dark yet hopeful tale of personal salvation laid low by inadequate editing.Pub Date: Nov. 11, 2015
ISBN: 978-1-5174-1653-9
Page Count: 184
Publisher: CreateSpace
Review Posted Online: April 14, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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