A hard-hitting analysis that may leave readers confused by the author’s ambivalent, punches-pulling conclusion.

LISTEN, LIBERAL

OR, WHAT EVER HAPPENED TO THE PARTY OF THE PEOPLE?

How the party of the working class has switched its focus to well-heeled professionals, more concerned with social issues than economic inequality.

“This is a book about the failure of the Democratic Party,” writes political analyst and Baffler founding editor Frank (Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right, 2011). “What ails the Democrats?” he asks. “So bravely forthright on cultural issues, their leaders fold when confronted with matters of basic economic democracy.” Where David Halberstam once showed how reliance on “the best and the brightest” resulted in wrongheaded decisions on Vietnam, Frank builds a similar case for economic policy, as Ivy League presidents (Bill Clinton, Barack Obama) have surrounded themselves with Ivy League advisers whose perspectives aren’t those of what was once the blue-collar base of the Democratic Party: “Thus did the Party of the People turn the government over to Wall Street in the years after Wall Street had done such lasting damage to…well, the People.” Frank is particularly acidic on the Clinton presidency, calling his cabinet “a kind of yuppie Woodstock, a gathering of the highly credentialed tribes,” and claiming, “what he did as president was far outside the reach of even the most diabolical Republican.” In the author’s estimation, the hope of the Obama administration turned hopeless. Since Frank is far from a lone voice in the wilderness in his perspective, you’d think he might see allies in the Occupy movement and the Bernie Sanders campaign, but he barely acknowledges the former and makes no mention of the latter, making it seem as if more recent developments lie outside his analysis. Rather than insisting on radical reform from the left or even a third party alternative, he seems to feel that Hillary Clinton is inevitable: “I myself might vote for her,” because it would be a “terrible thing” if any of the Republicans became president.

A hard-hitting analysis that may leave readers confused by the author’s ambivalent, punches-pulling conclusion.

Pub Date: March 15, 2016

ISBN: 978-1-62779-539-5

Page Count: 320

Publisher: Metropolitan/Henry Holt

Review Posted Online: Feb. 9, 2016

Kirkus Reviews Issue: March 1, 2016

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A clear and candid contribution to an essential conversation.

SO YOU WANT TO TALK ABOUT RACE

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

I KNOW WHY THE CAGED BIRD SINGS

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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