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RUNNING THROUGH THE TALL GRASS

A riveting first novel with currently topical settings and themes—Algeria, the Congo, ultraright terrorism—impressively evokes the closed and obsessive lives of men who operate beyond the law. The author's origins and experiences as an Algerian Jew give his story—about the protagonist Robert Aron—an authority that makes it as edgy as a conventional thriller and as precisely reported as a news story. But Robert's tale, told by three main characters, is essentially an ambitious study of men who become obsessed to the point of madness with causes and killing. Two of them, Robert and Jojo, both born in Algeria, join the Foreign Legion straight out of school and begin fighting France's colonial wars—first in Indochina, then in Algeria itself. As the story opens in 1962, Marie, Robert's girlfriend, relates how Robert and Jojo resigned from the Foreign Legion when France gave Algeria its independence and joined the OAS, an underground, right-wing organization that wanted to keep Algeria French. An attack organized by Jojo on a hospital so sickens Robert that he decides to leave the OAS and be repatriated, like so many other French Algerians, to France, where Marie will join him. But Jojo, the second narrator, has other plans. Once in France, Robert is tailed, his letters to Marie are intercepted, and, though Jojo brings her to him, the two are soon separated. Jojo forces Robert at gunpoint to go and fight with him in the Belgian Congo, in the midst of a war for independence. A despairing Robert relates the third section: a haunting record of cruelty and mindless violence as the now deranged Jojo keeps killing and killing. A brief epilogue from Marie offers closure, if not comfort. Robert's relationship with Jojo is not always persuasive, but Givon's debut is nonetheless a stunning portrait of men of action who can't, or won't, stop their murderous behavior.

Pub Date: July 30, 1997

ISBN: 0-06-039200-2

Page Count: 304

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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