THE LAST CLIMB

A legendary mountain climber finds his toughest peaks to scale when he joins forces with indigenous Peruvian revolutionaries in 1965. Though his reputation as a leader of climbing expeditions is nonpareil, Jim Bridgman’s career as a guide is going nowhere. And one goal continues to elude him: Nevado Viracocha, the highest peak in the Andes. But that’s before he agrees to help Father BartolomÇ D’Annunzio search for his inspirational old mentor, Father Mariano Raimondi, in the treacherous backcountry he’s rumored to have exiled himself to. Jim succeeds in reuniting the two priests, but his expedition brings him to the attention of Major Joaquin Zamora, who tosses him into an unforgiving prison mine and waits for him to die. Miraculously escaping, Jim finds himself weakened in body but immeasurably strengthened in spirit by his growing closeness to the cause of the natives. (So, in a more perfunctory parallel, does Charlie Newell, an American reporter who “had taken considerable risk for this story, never imagining that he would become part of it.”) Realizing that he needs to make one last heroic assault on Nevado Viracocha in order to galvanize the scattered poor and perhaps open himself to a mystical vision, Jim tears himself from the side of Rosa de Melgarejo, the rebel who’s been sharing his sleeping bag, and prepares for the most hazardous climb of his life, undeterred by the dangerous terrain, the uncertain weather, and the unceasing storm of clichÇs raining down on this hushed, heartfelt knockoff of For Whom the Bell Tolls. Like the brutal government forces, Cosgrove’s debut novel, blanketing every corner of “the sublime agony that was Peru” in soggy inspirational tracts, leaves only the natural landscape itself clothed in dignity and grandeur.

Pub Date: March 1, 1999

ISBN: 0-684-83414-6

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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