Fans of Downton Abbey and Gallipoli alike will find much to admire in Keneally’s fast-moving, flawlessly written pages.

THE DAUGHTERS OF MARS

A NOVEL

Australian novelist Keneally (Schindler’s List, 1982, etc.) turns to his native country in a time of war.

Anticipating the centennial of World War I by a shade, Keneally constructs a Winds of War–like epic concerning figures whom only Ernest Hemingway, among the first-tier writers, got to: military nurses. Naomi and Sally Durance are two sisters who join the Nursing Corps in 1915 and sail off to Gallipoli, where they witness terrible things and form bonds of attachment with the wounded soldiers who suffer them; no one with a sensitive stomach will want to read Keneally’s descriptions of their wounds. Crossing the Mediterranean, they experience the further terror of being torpedoed. Keneally’s set piece, which takes up nearly a tenth of this long but economical book, is extraordinarily moving, if often quite gruesome (“Within the ambit of Lemnos floated a boat with four putrefying dead soldiers and three dead nurses in it”). Since Keneally has established soldiers and nurses alike as characters, the reader experiences their loss. Only on arriving at the Western Front do the sisters part, and there they discover “a dimension of barbarity that had not existed on Gallipoli and had been undreamed of in Archimedes,” namely the terror of gas warfare. There, too, each falls in love, which, this being a war story, cannot end well for the both; it is only the love-story element that does not entirely work in Keneally’s book, though it seems inevitable. For all that, Keneally is a master of character development and period detail, and there are no false notes there.

Fans of Downton Abbey and Gallipoli alike will find much to admire in Keneally’s fast-moving, flawlessly written pages.

Pub Date: Aug. 20, 2013

ISBN: 978-1-4767-3461-3

Page Count: 544

Publisher: Atria

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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Romance and melodrama mix uneasily with mass murder.

THE WINTER GUEST

An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

Jenoff (The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”

Romance and melodrama mix uneasily with mass murder.

Pub Date: Aug. 26, 2014

ISBN: 978-0-7783-1596-4

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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