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A STRING OF BEADS

Perry (The Boyfriend, 2013, etc.) supplies twists and thrills aplenty, but it’s hard to feel the suffocating kind of...

A refreshing change of pace for Jane Whitefield McKinnon, who specializes in helping people hide from dangerous pursuers (Poison Flower, 2012, etc.): She’s asked to find someone who’s already gone to earth.

No request that comes from the eight clan mothers of the Tonawanda Seneca clan in which Jane grew up can be denied. So Jane doesn’t hesitate to leave her long-suffering husband to search for her childhood friend Jimmy Sanders, who punched a drunk who took a swing at him in an Akron bar and then found the cops building a homicide case against him when the drunk, Nick Bauermeister, was shot dead in the home he shared with his girlfriend, Chelsea Schnell. Jimmy makes it easy for Jane to find him—everything in this installment is unexpectedly easy—but soon enough, they’re predictably on the run together. The only thing that’s not predictable is the reason why. Nick, it turns out, didn’t just work for Daniel Crane’s Box Farm Personal Storage facility; he worked for Dan as a thief, and Dan, who killed him in the hope of securing Chelsea’s favors himself, turns out to be seriously connected to people who are even more seriously connected. The upshot is that it’s not just the law that’s looking for Jimmy; an awful lot of conscientious, well-armed professionals are involved as well, some of them employees of mob uber-boss Lorenzo Malconi, some of them on loan by associates eager to do Malconi a favor. Oddly, Jane and Jimmy (and later Chelsea) never seem to be squeezed, as you’d expect, between the cops and robbers looking for them; instead, it’s the bad guys who are squeezed between Technical Sgt. Isaac Lloyd, of the New York State Police, and Jane herself, whose best defense is often a good offense.

Perry (The Boyfriend, 2013, etc.) supplies twists and thrills aplenty, but it’s hard to feel the suffocating kind of suspense that’s his stock in trade when the pursuers seem to be in more danger than the pursued.

Pub Date: Jan. 6, 2015

ISBN: 978-0-8021-2329-9

Page Count: 400

Publisher: Mysterious Press

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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SHOCK WAVE

A methodical bomber gives Virgil Flowers a welcome chance to recover from his atypically bombastic last outing (Bad Blood, 2010, etc.).

Three days before his 70th birthday, billionaire Willard Pye and his board of directors are one room away from an explosion that rocks his boardroom outside Grand Rapids and kills Angela (Jelly) Brown, his executive assistant. Another blast follows with indecent haste, killing a construction superintendent at the site planned for a new PyeMart in Butternut Falls, Minn. The second bombing brings out the Minnesota Bureau of Criminal Apprehension in the person of Virgil Flowers, who assures the disgruntled Pye that he expects to clear the case within a week. “One week and I kiss his ass,” Pye tells Marie Chapman, his high-priced amanuensis. But a week doesn’t look like nearly long enough for a case this complex. Lots of townsfolk in Butternut Falls are against the new megastore. The Cold Stream Fishers, fearing that a pristine trout stream will be fouled, are especially militant. And Despite Pye’s denials, it looks as if a PyeMart expediter has bribed Mayor Geraldine Gore and at least three city councilmen into supporting the highly divisive project. Virgil networks, invites more than 100 locals to make up lists of potential bombers and wonders whether his faltering long-distance relationship with Warren Count Sheriff Lee Coakley is strong enough to keep him safe from Marie Chapman and other indigenous temptresses. The bomber, meanwhile, is moving ahead with a deep-laid plan, setting off one explosive device after another in order to make some kind of statement, mislead Virgil and cover his tracks. The tale drags at times, but the mystification and detection are authentic and the solution surprisingly clever. Virgil fully deserves to have Willard Pye kiss his ass.

 

Pub Date: Oct. 1, 2011

ISBN: 978-0-399-15769-1

Page Count: 400

Publisher: Putnam

Review Posted Online: Aug. 15, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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SALEM FALLS

Colorful, but best for those who don't mind Picoult's heavily sentimental style.

Teenaged witches, DNA evidence, Megan's Law, belladonna-laced tea, and an honest ex-con addicted to Jeopardy!, all mixed up in a well-researched if slightly disappointing small-town legal drama by veteran Picoult (Plain Truth, 2000, etc.).

Honest prep-school teacher and soccer coach Jack St. Bride has just completed an unjust sentence for statutory rape, to which he pleaded guilty only because a lazy lawyer persuaded him to hedge his bets. Somewhat unbelievably, he managed to escape being raped in prison by telling the brutal Mountain Felcher, "You're not going to break me." When he stops in Salem Falls, New Hampshire, to begin anew, things start looking up as he falls swiftly in love with his employer, fragile diner-owner Addie Peabody. The fact that she "tasted of coffee and loneliness" upon first kiss does not hinder Jack, but the law does: as a convicted sexual offender, he's required to register with the local police, and of course they can't keep a secret. Before long, there's widespread paranoia about the "dangerous rapist" on the loose in Salem Falls. Foremost of the alarmists is Amos Duncan, head of Duncan Pharmaceuticals, the town's only major corporation. His ire is exacerbated when his weird daughter Gillian, a devoted Wiccan, sets into action a chain of events that snares Jack in another rape charge—this time not merely statutory. One-third of the way in, the story turns into a courtroom battle between civil-liberties eccentric Jordan McAfee and sanctimonious prosecutor Matt Houlihan. Picoult's depiction of the legal process is excellent, especially her intriguing and thorough explanation of DNA evidence, and the narrative is impressively complicated, with a couple of eye-opening surprises. A few of the resolutions, however, seem contrived, and when the language turns lyrical or metaphorical, it falls flat.

Colorful, but best for those who don't mind Picoult's heavily sentimental style.

Pub Date: April 10, 2001

ISBN: 0-7434-1870-0

Page Count: 416

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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