EDDIE'S BOY

Nine years after his comeback appearance in The Informant (2011), the Butcher’s Boy returns yet again, and for the usual reason: Because somebody’s trying to kill him.

Michael Schaeffer, as he’s been calling himself now for many years, hardly breaks a sweat dispatching the four hit men who break into his aristocratic wife’s Yorkshire home. But an old pro like him realizes they’re only the tip of an iceberg, and when his flight to Australia merely makes him the target of a completely new crew of assassins, he realizes that the only way to end such a serpentine plot is to cut off its head. Breaking cover to drop in uninvited on Elizabeth Waring, the Justice Department Organized Crime official who still dreams of turning him into an informant, he learns one fact that could explain why he’s suddenly become a person of interest to both feds and organized crime once more: the impending parole hearing of Carlo Balacontano, a career criminal convicted in 1982 of the rare murder he didn’t commit. The Butcher Boy, hired by Bala for a routine hit and then placed in the crosshairs by his client because Bala didn’t care to pay him, killed Bala's frontman, Arthur Fieldston, and then took exceptional pains to frame Bala for the crime. Has his former client been waiting all these years for revenge? Or are the folks at Justice taking advantage of his possible parole to turn up the heat on Michael Schaeffer? Either way, many more brutally efficient executions are guaranteed. The biggest surprise here is the number of extended flashbacks to the Butcher Boy’s apprenticeship to (who else?) the Butcher.

Despite the valedictory elements, Perry makes the distant past as vivid and immediate as the relentlessly paced present.