Repetitious prose dilutes a potentially rich travel book experience.
A personal journey along the back roads of Greece.
Australian by birth, Greek by blood, Mitsis (When Study Goes Wrong, 2015) brings a unique perspective to this book, in which she relates a trip through her ancestral homeland. She lures readers away from the usual suspects (Athens and the Greek islands) and introduces them to smaller, out-of-the-way places, some of which are tied to her own personal heritage. The book’s tone wavers between that of a Fodor’s or Frommer’s travel guide and that of a series of chatty texts. “What does Greece mean to me?” she asks in her introduction. “I wasn’t born there, I didn’t grow up there, yet it somehow draws me to it.” A few sentences later, she says, “Home is and always has been Australia. Yet something inside me draws me towards Greece.” Unfortunately, this tendency toward repetition continues throughout the book: beaches, landscapes, and towns are all described as “stunning,” as are Lake Prespa, Agras, and Mystras. However, the author does show both her curiosity and her winning respect for history. As she writes about the Turkish invasion of Parga, for example, which forced the locals to flee to nearby Corfu, she adds a colorful detail: “In order for them not to leave their ancestors behind, they had to dig them up, burn them, and then store their ashes.” More of these types of vivid footnotes would have been welcome. Instead, the book falls into a pattern; each sojourn offers a quote, some history, often a reference to something “stunning” (mountains, a castle, a monastery), and, in true travel guide style, a “How to Get There” addendum. At first, this format is appealing, but eventually, the places all blend together; readers will be hard-pressed to differentiate between Nafpaktos (“A stunning little town”), and Dodoni, which offers “stunning views around the area.” The book would also have profited greatly from maps, blueprints, or any other sort of visual component.
Repetitious prose dilutes a potentially rich travel book experience.Pub Date: Jan. 25, 2016
ISBN: 978-1-925388-57-2
Page Count: 180
Publisher: Inhouse Publishing
Review Posted Online: April 18, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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