The latest by the author of the witty The Thought Gang (1995), etc., is a disappointment of mind-numbing proportions. It reaches so far for comic effect that it stumbles badly and ends by seeming little more than a bland tale of frustration and confusion in matters of the heart. The gimmick is simple: Fischer tells his contemporary story in the voice of a pot—a ceramic bowl from Mesopotamia that's over 6,000 years old. The idea is that the object of collectors through the centuries now gets to turn the tables and comment on its owners, which makes this a sort of postmodern comedic comment on Bruce Chatwin's high modernist novel Utz. And that's the best one can say about the resulting strained narrative romp. The frame story concerns a young art appraiser named Rosa, a ``scrutinizer'' and diviner who can spot fakes in an instant and who can sense the complex histories of each object she fondles. This particular piece of ``pottery worth a lottery'' comes into her possession to be appraised for a ``lugal'' (the pot's term for wealthy collectors) of maniacal disposition. Meanwhile, a nympho-kleptomaniac connives her way into Rosa's life, performing acts of thievery (and sex) that are increasingly outrageous. But Rosa's mind is elsewhere: She falls under the sway of a columnist to the lovelorn whose advice lost Rosa her last boyfriend. Interspersed throughout this main story are the many tales imparted by the pot, itself a cracked narrator of bizarre fables involving its previous owners: the man who couldn't kill his wife; the spurned lover who couldn't succeed at suicide; the village called ``Arsehole''; the ship that sailed for Cathay but never left Venice; and Odile, the collector of insane poets. There's also a running joke about frozen iguanas. For all of its manic inventiveness—the wordplay, the rhymes, the new vocabulary—Fischer's goofy novel is a victim of its own cleverness. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-8050-5118-X
Page Count: 208
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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