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THE GILLY SALT SISTERS

In her second novel, Baker (The Little Giant of Aberdeen County, 2009) follows the lives of two sisters whose family has always harvested salt that may or may not have magical powers over their Cape Cod community.

The town of Prospect (a town unbelievably untouched by modern life or tourists) depends on salt from the Gilly Salt Creek Farm for luck; the residents read their futures in the colors rising from Gilly salt thrown on the annual bonfire. Although the Gillys attend the same Catholic Church as everyone else in town, the feared power of their salt makes them permanent outsiders. As the book opens, the Gilly sisters have grown estranged. Younger, pretty Claire has married local rich boy (and her sister Jo's former boyfriend) Whit Turner, and joined local society, while Jo remains on the struggling farm. Why is Whit so anxious to buy Jo out and Claire so anxious to turn people against Jo's salt? Flashbacks show Jo has always been committed to harvesting the salt since her childhood in the 1950s, while book-smart Claire always wanted desperately to get away. Jo’s one childhood playmate was Whit, son of the wealthiest family in town. Whit’s mother wanted the children to have nothing to do with each other, and Jo’s mother was equally unenthusiastic. Shortly before charming but headstrong Whit left town for boarding school, he tried to proclaim his love to Jo. But having learned a family secret—one that most readers will guess way too soon—Jo broke off their budding romance. Years later, after Claire's boyfriend broke her heart by becoming a priest, a newly returned Whit wooed her. Twelve years later their marriage has soured. Then Whit begins an affair with a lonely young girl who has recently arrived in Prospect. When she becomes pregnant, Whit shows his darker side and all hell breaks loose. There are two fires, one accidental and one perhaps unintentionally lethal, before a discomfortingly amoral happy ending. Baker’s gift for richly embroidered fantasy only partially compensates for the novel’s inconsistency. Alice Hoffman–lite.

 

Pub Date: March 14, 2012

ISBN: 978-0-446-19423-5

Page Count: 384

Publisher: Grand Central Publishing

Review Posted Online: Feb. 15, 2012

Kirkus Reviews Issue: March 1, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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