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MS. MULLIGAN AND THE ENCHANTED ICE CREAM

An enjoyable and well-written supernatural tale, despite loose ends and a few missteps.

When a sixth-grade Florida girl is transformed into a 20-something woman, she and her friends search for a cure in this debut YA paranormal novel.

On the eve of her 12th birthday, blond-haired Tabitha “Tabby” Easterland tells her best friends, Kat Dorsett and Dolly Hargrave, that she has one wish: to go with Finn McKinna to the junior high dance next year. But when Tabby wakes up the next morning, she discovers that she seems to have aged more than 10 years. Luckily, she’s not at home with her Aunt Patti, but at Kat’s house for a sleepover. (Tabby’s mother is dead; her father is institutionalized.) Tabby can’t go home, for the somewhat flimsy reason that she might be jailed “for the kidnapping of...herself.” The girls manage to establish a new identity for Tabby (Elise Mulligan), who gets a teaching job at her own school while they look for a remedy. Her mother’s diary, strange dreams of two evil sisters, and odd experiences confuse Tabby until Mrs. Bumble, a fellow teacher whose spare room the young woman moves into, gives her the bad news: She’s under a curse. A school field trip leads to a dangerous, dramatic confrontation with the Black and White sisters, named for their hair color. Though Tabby learns more about her family, the curse, and other matters, much work remains; the tale will continue in a sequel. In her novel, Elaine mixes up an entertaining blend of middle school best friend shenanigans with the supernatural—witchcraft, curses, a mystical society founded by an ancient civilization—and a family mystery. These last two elements are complex and well thought out, offering several surprises along the way. Although the book feels slow at 300-plus pages, frustratingly so since the story isn’t finished, it could grapple more with the implications of Tabby’s adult body. She’s embarrassed by her new figure but any interest or exploration stops there. And while it’s understandable that young people don’t want to look ancient, must “old and ruined” go together? Nevertheless, readers will likely be eager for the sequel.

An enjoyable and well-written supernatural tale, despite loose ends and a few missteps.

Pub Date: Feb. 18, 2018

ISBN: 978-0-9981659-6-7

Page Count: 326

Publisher: Ingramelliott

Review Posted Online: Aug. 3, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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