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Wrong Place, Wrong Time

An intelligent, thought-provoking adventure story and a fine debut.

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A tense debut action-thriller that hinges on a pair of related kidnappings.

At the start of Jacobs’ taut novel, Tsarina “Tsara” Abrams lives comfortably in the New England suburbs with her husband, David Adelman, and their two kids, Abbie and Josh. One day, she receives an engraved invitation from her uncle, businessman Castle Thornlocke, to attend a charity fundraiser at the palatial Thornlocke estate in Libertyville, N.H. The fundraiser is for a worthy cause, a cancer center, and Tsara’s brother Court has also been invited. Their relationship with their uncle has always been tense and adversarial, but it seems that Uncle Cass’ new wife, Alicia, has mellowed him somewhat, and Tsara believes that his invitation might be an attempt to mend fences. She makes the trip to the New Hampshire mountains, and at first, all seems well—but her first night under her uncle’s roof, she’s kidnapped by two men and brought to a remote cabin in the woods. They explain that her uncle is holding one of the kidnappers’ children hostage (along with half a dozen others’) in his estate’s wine cellar in order to coerce them into paying outstanding debts. Her uncle, it seems, is a ruthless power broker, with the corrupt local police entirely at his disposal, and Tsara’s desperate kidnappers see no alternative but to threaten him using similar methods. Jacobs presents the ensuing tense moral and tactical standoff with smooth skill and intense readability. Her sense of the New Hampshire landscape is vividly atmospheric (“The sky was azure, wisped with occasional brushes of clouds, and the trees were rocket bursts of fall color”), and her characters are refreshingly three-dimensional; by the end, Jacobs even makes a monstrous villain such as Thornlocke understandable, if not sympathetic. The novel is fast-paced right from the end of the first chapter, and the dialogue is crisply believable throughout. Fans of mystery writers such as Lisa Scottoline and William Kent Krueger will find much to entertain them here.

An intelligent, thought-provoking adventure story and a fine debut.

Pub Date: June 1, 2013

ISBN: 978-0615805597

Page Count: 406

Publisher: Linden Tree Press

Review Posted Online: Oct. 25, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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