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SPINNING

A quiet powerhouse of a memoir.

Graphic novelist Walden recounts her years coming-of-age as a competitive ice skater.

Tillie Walden knew she was gay since she was 5, which was also when she began ice skating. This memoir recounts the years from when she’s 11 to when she reaches her late teens, as her life marches on through fledgling romances, moving halfway across the country, bullying, and various traumas with skating as her only constant. Her story is largely insular, with her family only visible in the periphery, even with regard to her skating. Walden’s recollections tend to meander at times, with an almost stream-of-consciousness feel about them; her taciturn introspection mixed with adolescent ennui creates a subdued, yet graceful tone. For a young author (Walden is in her early 20s), she is remarkably adept at identifying the seminal moments of her life and evincing their impacts on her trajectory. Her two-toned art is lovely and spare, utilizing the occasional splash of an accenting color to heighten visual interest. She draws herself as a blonde, bespectacled, white girl, a depiction that brings Harriet Welsch to mind. Walden deems herself “a creator who is happy making a book without all the answers,” and while she may not solve any of life’s great conundrums, her offering is intimate and compelling.

A quiet powerhouse of a memoir. (Graphic memoir. 13-adult)

Pub Date: Sept. 12, 2017

ISBN: 978-1-62672-772-4

Page Count: 400

Publisher: First Second

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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PASSPORT

A truth-is-stranger-than-fiction story about a lost soul finding her way.

Navigating high school is hard enough, let alone when your parents are CIA spies.

In this graphic memoir, U.S. citizen Glock shares the remarkable story of a childhood spent moving from country to country; abiding by strange, secretive rules; and the mystery of her parents’ occupations. By the time she reaches high school in an unspecified Central American nation—the sixth country she’s lived in—she’s begun to feel the weight of isolation and secrecy. After stealing a peek at a letter home to her parents from her older sister, who is attending college in the States, the pieces begin to fall into place. Normal teenage exploration and risk-taking, such as sneaking out to parties and flirtations with boys, feel different when you live and go to school behind locked gates and kidnapping is a real risk. This story, which was vetted by the CIA, follows the author from childhood to her eventual return to a home country that in many ways feels foreign. It considers the emotional impact of familial secrets and growing up between cultures. The soft illustrations in a palette of grays and peaches lend a nostalgic air, and Glock’s expressive faces speak volumes. This is a quiet, contemplative story that will leave readers yearning to know more and wondering what intriguing details were, of necessity, edited out. Glock and many classmates at her American school read as White; other characters are Central American locals.

A truth-is-stranger-than-fiction story about a lost soul finding her way. (Graphic memoir. 13-18)

Pub Date: Nov. 30, 2021

ISBN: 978-0-316-45898-6

Page Count: 320

Publisher: Little, Brown

Review Posted Online: June 10, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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