by Tilman Roehrig ; translated by Oliver Latsch ‧ RELEASE DATE: Oct. 5, 2021
An epic and accessible adaptation.
A retelling of the old legend from Little John’s perspective.
Written with readers who delight in hefty, classic adventure tales in mind, this version draws comprehensively from both medieval sources and standard later editions like Paul Creswick’s Robin Hood (1917) to include the major exploits of Robert Loxley’s outlaw career up to his death, with a teeming cast of familiar characters from King Richard the Lionheart to young Much parading through. The prose, translated from the German, is more formal than faux antique, being free of -iths, -eths, and forsooths. At times it even has a modern cast, although dwarf is frequently used to insult John. Robin Hood himself comes off as the usual sly lover of games and jests, driven both by touchy pride and a strong streak of rob-from-the-rich-and-give-to-the-poor idealism, but his Merry Men are renamed the more serious sounding Brotherhood of Freemen, and Roehrig likewise mildly tweaks some of the other classic characters—notably Marian, who starts off as a child struck temporarily mute after witnessing the murder of her mother and ends up as a strong-willed young lady able to ride a horse, wield weapons, play a lute, and, finally, set her wimple on a prospective husband. Aside from a friendly Jewish merchant, the cast is uniformly Christian and White in presentation.
An epic and accessible adaptation. (Adventure. 13-18)Pub Date: Oct. 5, 2021
ISBN: 978-1-64690-007-7
Page Count: 350
Publisher: Arctis Books
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Tilman Roehrig ; translated by Oliver Latsch
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Holly Black ‧ RELEASE DATE: Jan. 2, 2018
Black is building a complex mythology; now is a great time to tune in.
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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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More In The Series
by Holly Black ; illustrated by Rovina Cai
More by Holly Black
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by Holly Black & Kaliis Smith ; illustrated by Ebony Glenn
BOOK REVIEW
by Holly Black
BOOK REVIEW
by Holly Black
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