by Tim Butcher ‧ RELEASE DATE: Sept. 13, 2011
This engaging tale will leave many reaching for their Graham Greene.
An award-winning British journalist retraces the young novelist Graham Greene’s 1935 walk through Sierra Leone and Liberia.
At 30, Greene was looking for “a smash-and-grab raid into the primitive” when he set out on the jungle trek recounted in his travel book Journeys Without Maps. His entourage included his cousin Barbara and 26 porters, three servants and one chef. More than 70 years later, Butcher (Blood River: A Journey to Africa’s Broken Heart, 2008) made his way through the same remote backcountry in the wake of civil warfare that he had covered recently as African correspondent for the London Telegraph. Like Greene, he is attracted by the thrill of danger, but he also sought to understand the modern evil that has fostered child soldiering and violence over “blood diamonds” in the region. Accompanied by a friend’s son, Butcher found many villages unchanged since Greene’s visit, which is occasionally recalled by village elders. In Sierra Leone, he visited Freetown, once the “Athens of Africa,” now poor and corrupt, and a transit point for Colombian cocaine barons moving drugs into Europe. Greene based his novel The Heart of the Matter on his own stay in Freetown, whose seediness informs much of his fiction. In Liberia, Butcher met war victims, rice farmers and others, and discovered communities where secret societies worship the devil. While vividly describing the beauty of landscapes and the ugliness of derelict shantytowns, the author weaves in stories of freed slaves who settled both Sierra Leone and Liberia, and the tensions between settlers and indigenous people that have shaped the histories of both places. At journey’s end, Butcher has a new understanding of Greene the adventurer, whose own trek sparked the novelist’s lifelong love of Africa.
This engaging tale will leave many reaching for their Graham Greene.Pub Date: Sept. 13, 2011
ISBN: 978-1-935633-29-7
Page Count: 336
Publisher: Atlas & Co.
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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