by Tim Davys & Margaret Maron ‧ RELEASE DATE: June 1, 2010
The combination of empathy and distance suits the form of the fable well, allowing Davys to meditate on the nature of sin...
Pseudonymous Swedish novelist Davys ups the ante in Mollisan Town, his world of dead-serious stuffed animals (Amberville, 2009), by introducing a stuffed messiah.
Composer Reuben Walrus has been diagnosed with Drexler’s syndrome, which means he’s got three more weeks of hearing left. How will he ever finish his Symphony in A minor? There’s only one way, he decides: He’s got to track down the mysterious healer Maximilian, who’s been credited with some truly miraculous cures. As Reuben gets closer to his hoped-for savior—hiring small-time private eye Philip Mouse, locating Maximilian’s associates and beneficiaries of his healing, repeatedly getting the brush-off because his urgent pleas are so transparently selfish—Wolf Diaz, Maximilian’s childhood friend and amanuensis, presents an interspersed back story relating his companion’s early years. Set apart from the time he first arrived in Das Vorschutz and claimed by the childless Eva Whippoorwill and Sven Beaver, despite his lack of definite resemblance to any particular species of stuffed animal and his disquieting tendency to grow larger, Maximilian presents numerous parallels with the life of Christ. He impresses his elders with his fondness for obscure parables, befriends criminals, outrages civil authorities and lands in prison even as his fame is spread by a burgeoning number of followers. For a while it seems as if Reuben will never achieve the meeting he longs for, and when he finally does, courtesy of some unexpected twists and a magical final scene, it doesn’t exactly go the way he planned. As in most modern animal fables since Orwell, Davys’s stuffed citizens never seem to have a fully realized independent existence—despite a couple of touching asides, e.g., “The last thing to leave a stuffed animal is hope, it is often said”—yet they don’t quite seem like people either.
The combination of empathy and distance suits the form of the fable well, allowing Davys to meditate on the nature of sin and redemption from an appealingly fresh perspective.Pub Date: June 1, 2010
ISBN: 978-0-06-179743-9
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 13, 2011
Kirkus Reviews Issue: April 1, 2010
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by TJ Klune ‧ RELEASE DATE: March 17, 2020
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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PERSPECTIVES
by Leigh Bardugo ‧ RELEASE DATE: Oct. 1, 2019
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
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New York Times Bestseller
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Leigh Bardugo ; illustrated by Dani Pendergast
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