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WHO THE HELL WANTS TO WORK FOR YOU

MASTERING EMPLOYEE ENGAGEMENT

A plainspoken and warmly inviting re-evaluation of corporate culture.

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An anecdotal, employee-oriented handbook for modern-day business owners and managers.

Eisenhauer’s terrifically readable nonfiction debut offers a comprehensive breakdown and reinterpretation of some of the most essential elements of the business world. The author breaks down his findings into 23 workplace principles, organized along three groupings: “Empower the Individual,” “Empower the Relationship,” and “Empower the Culture.” As these titles make clear, Eisenhauer’s emphasis is on empowerment—specifically, on employers’ finding ways to make their workers “own” their projects and find their own motivations, with an eye toward success in the marketplace. This type of approach, he notes, has worked to the benefit of such companies as Whole Foods and Zappos. The book takes readers through many different aspects of running a business, covering such topics as mission statements, the intricacies of the hiring process, creating a sense of camaraderie, insisting on accountability without micromanaging, and so on. While doing so, Eisenhauer provides simple pieces of advice on a wide variety of smaller matters as well, such as how to avoid long introductions in group meetings while also making sure that everyone gets to know one another. Along the way, he quotes extensively from business manuals and articles to provide support for his book’s main points. Eisenhauer acknowledges that several principles in this manual may seem self-evident to many readers, but he gently cautions them that it’s possible to fall short, or even fail, at seemingly obvious things. “Your outcomes,” he writes simply, “will faithfully match your attitude.” The author’s direct, unpretentious tone is the strongest element of his book. By using frank personal anecdotes, along with wide-ranging interviews and other examples, he manages to get across the central importance of his key message: making managers and employees feel empowered. At one point, for example, he quotes a friend named Betsy, identified as an “independent consultant,” as saying: “Every company should empower employees…but I just don’t see it happening.” Then Eisenhauer characteristically urges readers to “think about that,” pointing out, “Even though companies don’t set out to squelch employees, few are actually doing anything to empower them—and even fewer are doing it the right way.” The author is always mindful of the existence of human fallibility (“No matter what you do to rivet yourself to your goal,” he writes, “sometimes you will lapse”), and this makes his observations about basics, such as networking, mentoring, or promotions, feel immediate and personal. As a result, the tone feels far less strident than those of other motivational business books. Throughout, Eisenhauer positions himself as the best of all possible corporate mentors—that is, someone who’s learned a great deal from his own failures and setbacks. He effectively lays out the lessons of his experiences, not only in story form, but also in “Do” and “Don’t” lists and clear, aphoristic summations, such as “Theory without practice is dead.” Many in the business world, and particularly personnel managers, will find it all invaluable.

A plainspoken and warmly inviting re-evaluation of corporate culture.

Pub Date: April 1, 2018

ISBN: 978-0-9977989-0-6

Page Count: 328

Publisher: Resultris International

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: June 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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