Bravo, Nate! (Fiction. 8-13)
A story of Broadway dreams tailor-made for the younger side of the Glee audience.
Jankburg, Penn., has always been too small-town for 13-year-old Nate Foster’s Broadway-sized dreams. Jocks and God rule in the Foster house, which is good news for Anthony, Nate’s older brother, and bad news for a boy with a soft spot for jazz hands and show tunes. Thankfully, Nate’s best friend, Libby, shares his love of the Great White Way. When Libby learns of an upcoming audition for a Broadway-musical version of E.T., it’s too good an opportunity to pass up. With Libby as his cover, the two hatch a plan that will have Nate to New York and back with the role of Elliott firmly in hand before anyone even knows he’s gone missing. Alas, things rarely go according to plan. Nate is a quirky and endearing leading man from the start, and anyone who has ever felt out of place will easily identify with him. It’s a joy to watch him fall head over heels for a city that couldn’t care less about him—in the best possible way. Unfortunately, the cartoonish cover art and a predominantly lighthearted beginning may mislead some readers. Federle’s debut addresses—deftly—big and solemn issues in the second half of the novel, particularly with regard to family, sexuality and religion.
Bravo, Nate! (Fiction. 8-13)Pub Date: Feb. 5, 2013
ISBN: 978-1-4424-4689-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility.
A boy works desperately to keep his sick little brother safe.
Twelve-year-old Timothy has a probation officer, a court-appointed psychologist, and a yearlong sentence of house arrest. He also has a 9-month-old brother who breathes through a trach tube that frequently clogs. Heavy oxygen tanks and a suction machine as loud as a jackhammer are their everyday equipment. Timothy’s crime: charging $1,445 on a stolen credit card for a month of baby Levi’s medicine, which his mother can’t afford, especially since his father left. The text shows illness, poverty, and hunger to be awful but barely acknowledges the role of, for example, weak health insurance, odd considering the nature of Timothy’s crime. The family has nursing help but not 24/7; the real house arrest in Timothy’s life isn’t a legal pronouncement, it’s the need to keep Levi breathing. Sometimes Timothy’s the only person home to do so. His court sentence requires keeping a journal; the premise that Holt’s straightforward free-verse poems are Timothy’s writing works well enough, though sometimes the verses read like immediate thoughts rather than post-event reflection. A sudden crisis at the climax forces Timothy into criminal action to save Levi’s life, but literally saving his brother from death doesn’t erase the whiff of textual indictment for lawbreaking. Even Mom equivocates, which readers may find grievously unjust.
Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility. (Verse fiction. 9-13)Pub Date: Oct. 6, 2015
ISBN: 978-1-4521-3477-2
Page Count: 304
Publisher: Chronicle Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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