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SCARS AND STRIPES

AN UNAPOLOGETICALLY AMERICAN STORY OF FIGHTING THE TALIBAN, UFC WARRIORS, AND MYSELF

One of many get-some exhortations by veterans of recent wars, but with plenty of merit.

A mixture of memoir and motivational text that celebrates the power of learning from mistakes—to say nothing of pounding people senseless.

If there’s a fight going on anywhere in the world, whether on the mean streets, in the ring, or in Tora Bora, look for Kennedy to be in the thick of it. “I’ve killed evil men on multiple continents, fought in main-event bouts in the UFC, served as a Green Beret, an EMT, a firefighter, and a cop,” he writes. “I’ve hunted Nazis, drug runners, Abu Musab al-Zarqawi, human traffickers, rhino poachers, Al Qaeda, the Taliban…and I’m just warming up.” Writing with Palmisciano, the author recounts his adventures with perhaps unexpected ruefulness: He admits to messing up big time on many occasions, especially when it comes to dealing with the admonitions and demands of authority figures, and allows that there may be some truth in some of the bad things he’s been called. Owning one’s errors, Kennedy counsels, is part of what makes a hero a hero. At the end of the book, commemorating hitting the ripe old age of 42, he looks forward to “a whole new amazing year of failure and suffering.” In between, he delivers plenty of action. In Houston and other locales, he has taken on drug dealers, pimps, gunrunners, and kidnappers, who are often one and the same: “Assholes are assholes, and a person willing to deal in one form of human misery is likely willing to deal with all forms, so long as they can turn a profit.” In Iraq and Afghanistan, he found heroes and villains among both his fellow soldiers and the civilian population. In Chile and Argentina, he discovered unrepentant Nazis, the basis for the hit History Channel show Hunting Hitler. And so on, in bare-chested stories that often end with self-effacing debriefings on what went wrong as much as right.

One of many get-some exhortations by veterans of recent wars, but with plenty of merit.

Pub Date: June 7, 2022

ISBN: 978-1-982-19091-0

Page Count: 416

Publisher: Atria

Review Posted Online: June 19, 2022

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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