Sandlin’s seventh novel (after Honey Don’t, not reviewed) has some lively flourishes, but the one-note humor quickly palls.
Ancient hippies, defying mortality, rise up against the administrators of their retirement community in this near-future black comedy.
Poor Guy Fontaine. Momentarily disoriented after his wife’s death, the spry 72-year-old drives his cart off a California golf course and onto an interstate. That one lapse allows his daughter Claudia to take control of his assets and bundle him into the Mission Pescadero, which provides, in the year 2022, both A.L. (Assisted Living) and N.C. (Nursing Care), meaning heavy sedation. Guy, a native Oklahoman and former sports editor, is an anomaly in this coastal California institution, most of whose residents are former hippies trapped in their memories of the Summer of Love (1967) or the 1969 confrontation at Berkeley; they still hunger for multiple sex partners (“monogamy is so . . . Eisenhower”). But Guy does find a kindred spirit in Roxanne, known as Rocky, who got a life as a waitress after the hippie scene faded. Sandlin gives these two a full measure of humanity (and his best writing), while treating the other residents as decrepit freaks (one has a face that “looks like a potato that’s been stored under the sink too long”). When administrator Alexandra Truman, a bitchy disciplinarian, confiscates one old geezer’s cat (house rule: no pets), Guy defends him, decking a staff member. The rebellion is underway, led by a canny crone with a walker who’s reliving her days as a ’60s militant. She outwits law enforcement (the hippie-hating Lieutenant Monk) tactically and strategically (“Our power is our age”), though she can’t prevent an anarchic resident spiking the community’s tea with acid. When Monk, armed to the teeth, goes berserk, the cat-owner heroically disables him, dying in the process. The female governor arrives and sides with the residents; as a tribute to their fallen comrade, they all drop their skirts or pants—the novel’s second mass-mooning.
Sandlin’s seventh novel (after Honey Don’t, not reviewed) has some lively flourishes, but the one-note humor quickly palls.Pub Date: Jan. 16, 2007
ISBN: 1-59448-933-5
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
