Next book

THE BOY IN THE BURNING HOUSE

Old sins come home to roost in this taut, terrifying psychological thriller, set largely on an isolated Canadian farm. Fourteen-year-old Jim has gotten past more-than-half-serious suicide attempts and an episode of mutism in the wake of his beloved father’s sudden disappearance. But the pain is still sharp enough to leave him vulnerable when tough, wild teenager Ruth Rose suggests a connection between that disappearance and her stepfather, popular local minister Father Fisher. She herself claims to be in danger. According to Fisher, Ruth Rose is mentally and emotionally unbalanced (skittish, violent, and subject to sudden mood swings, she certainly acts the part)—but she plants a seed in Jim that grows into suspicion, as he finds revealing family photos, learns from old newspaper accounts of a fire that claimed a boy’s life, and catches hints of an ugly side to Fisher that his congregation never sees. As Ruth Rose knows and Jim discovers, Fisher makes a scary adversary: brilliant, plausible, utterly ruthless, able to play on Jim’s grief like a musical instrument. As it turns out, Fisher has more than one terrible secret to hide, but the young people here are so overmatched that the tale loses some credibility when he allows himself to be caught in a conventional climactic standoff with police. That bit of contrivance aside, Wynne-Jones (Stephen Fair, 1998) weaves a strong, sensitively observed cast, plus themes of inner conflict, unlikely friendships, and the enduring power of hate, into a powerful tale that will grip readers from start to finish. (Fiction. 11-15)

Pub Date: Sept. 11, 2001

ISBN: 0-374-30930-2

Page Count: 224

Publisher: Melanie Kroupa/Farrar, Straus & Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

Next book

THE RUNAWAY'S DIARY

A somewhat entertaining, fast-paced journey that fizzles at the end.

A teenager runs away to Seattle, hoping to locate her missing sister.

Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.

A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)

Pub Date: April 26, 2022

ISBN: 978-0-316-50023-4

Page Count: 280

Publisher: Little, Brown

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

Next book

I HAVE NO SECRETS

Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...

A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.

Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.

Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4926-9336-9

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 12, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Close Quickview