by Timothée de Fombelle ; translated by Sarah Ardizzone ‧ RELEASE DATE: Aug. 4, 2015
Mournful at times but also illuminated with moments of humanity and grace: a worthy sequel
Vango’s search for the truth of his identity continues, leading him on dangerous escapades across World War II–era Europe and New York City.
Vango experienced devastating losses in Vango (2014): the abduction of his surrogate mother and the horrific discovery of how his birth parents were killed by a man from the small Italian town where he was raised. But he also formed lasting bonds with men and women of great integrity whose lives became dedicated to restoring human morality as the crushing brutality of the war began. In this continuation, Vango alternates between using those connections to further his own quest for truth and justice for his parents and forfeiting his search in favor of aiding his friends’ continued attempts at making the world safer. Wartime atrocities provide a dark backdrop for this story, and Vango’s own personal sacrifices and examinations of his desire for vengeance make this novel more pensive than the first installment. Few characters are left unscathed, and while traditional adventure readers may find this disappointing, it will also resonate as honest. And though several intriguing figures from the first novel seem a bit overlooked, this sequel is characterized by the same beautiful writing and intricate plotting that made the first so gripping.
Mournful at times but also illuminated with moments of humanity and grace: a worthy sequel . (Historical fiction. 12 & up)Pub Date: Aug. 4, 2015
ISBN: 978-0-7636-7950-7
Page Count: 464
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Timothée de Fombelle ; illustrated by Benjamin Chaud ; translated by Karin Snelson & Angus Yuen-Killick
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by Elizabeth Acevedo ‧ RELEASE DATE: May 5, 2020
A standing ovation.
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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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