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HOMO CONSCIUS

A tart but ultimately hollow portrait of a narcissist parading toward hubris.

A retired British diplomat uses his newly acquired free time to explore the mysteries of his own mind.

There’s an air of absurdity that buoys but can’t save this bizarre debut novel by Balding, longtime chief executive officer of the World Association of Newspapers and News Publishers. We meet our protagonist, Victor Andrews, as he prepares to undergo an angioplasty at the age of 50. Perhaps it’s the shadow of his own mortality at play, but subsequently, this very British creature of habit begins to ponder all manner of things—the psyche of mass murderers is a recurring motif, as are sex, atheism, and the nature of reality. It’s probably best that Victor is given to long soliloquies, as his only real companions are his lady friend, Helen, a psychoanalyst, and a newly acquired parrot, Yorick. Among Victor’s myriad theories is the idea that should humans achieve total objectivity, they might expand their consciousness to the point they mutate into a new species, hence the title. It is fitfully funny at times—for all his loquacious speeches, our man is an utter horndog who spends more time pondering his manhood than his humanity. “You penetrate me like a solemn god entering his temple” could easily qualify for the Bad Sex in Fiction Award. Victor also spends half the book trying to teach Yorick to say things like “God is dead,” to the point the whole enterprise feels like an overly cerebral but interminable Monty Python skit. Close followers of philosophy may find some value in all this cerebral navel-gazing as Victor prattles on, name-checking Pascal, Kafka, and Nietzsche, among others. Most readers may feel more like Helen does when she asks, “What’s actually the matter with you? It’s as though your head had cracked open and you were picking out pieces of your brain and examining them for sense.”

A tart but ultimately hollow portrait of a narcissist parading toward hubris.

Pub Date: April 25, 2017

ISBN: 978-1-935830-46-7

Page Count: 274

Publisher: Upper West Side Philosophers

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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