Life was bad enough for Canadian teen Ricky Fallon; who knew death came with pink spandex?
Fallon actually planned to off himself. He was on the Pape Street Bridge ready to jump because his girl dumped him, his dad was a prick and his “best friend” Susan was the most clingy, depressing person on the planet. He changed his mind…and slipped. Fallon wakes to find Bud, a Soul Reaper, ready to take him to—his new job. Souls with Karma to work out become Cupids, genital-free, Love-eating spirits who exist to increase the supply of Love in the world by getting the living to couple-up. Fallon’s new boss Louis is a huge jerk. Bad enough that he’s got to suffer that (and the heart-emblazoned spandex), but, with little training, Fallon also has to avoid Suicides, the dangerous, misery-eating antitheses of Cupids. When he finds Susan has attached herself to a new unfortunate, Fallon suspects there’s something more than meets the eye to that downer-girl. Can he save her new target (and maybe the world)? Carter’s newest is a darkly humorous, fantastical frolic. Fallon’s snark is tempered by his conflicted feelings about his runaway mother. Other characters aren’t as well-rounded, but the unique afterlife and a surprisingly spiritual twist will keep pages turning.
Fans of funky unconventional fantasy will lap it up and roar for more. (Humorous fantasy. 12 & up)Pub Date: Aug. 1, 2011
ISBN: 978-0-7387-2614-4
Page Count: 240
Publisher: Flux
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
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This story is necessary. This story is important.
27
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Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.
Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.
This story is necessary. This story is important. (Fiction. 14-adult)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-249853-3
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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